Archive for February 2015 - Page 7

Boutique bass builder Jens Ritter unveiled a new bass at the NAMM Show this year called the Okon Concept. The new model matches the luthier’s distinctive Okon body shape with his BA Tuning System, which mounts the tuners on the back of the bass’s body. Following a golden theme, the bass features a 24-karat antique gold finish on its body...

I’ve been on a John Paul Jones kick lately, which got me on a Seasick Steve kick too. Here they are performing a couple of tunes on Later… with Jools Holland. The first tune is “You Can’t Teach An Old Dog New Tricks” and the second is “Don’t Know Why She Love Me But She Do”.

Ernie Ball’s booth at NAMM this year was buzzing with a new neck-through version of their flagship StingRay Bass. Available in four and five-string versions, the StingRay Neck Through is built with a 3-piece maple neck the runs the entire length of its ash body. The StingRay has only featured bolt-on construction since its introduction in 1976. The new bass...

Wow, check out this performance by Meshell Ndegeocello at the 2004 Montreux Jazz Festival. The tune is “Dr. Strange,” and the bass line is killer.

The Church has released its 25th studio album, Further/Deeper. Led by bassist/singer/songwriter Steve Kilbey, the Australian rock outfit may be most well known for its 1980s alternative hit, “Under the Milky Way.” Further/Deeper came together easily, Kilby said. “The magic started on day one. Someone strummed a chord or struck a drum or plucked a note and we were off....

Fodera went old school at NAMM this year by introducing the Standard Classics line, including the Monarch 4 and Emperor 5 Standard Classics. The new models retain the qualities of Fodera’s Standard series models while taking on a classic aesthetic. “All our tone woods and everything are from the same Brooklyn shop [and are] the same tone woods we use...

It’s January 2nd. A brand new year is on the horizon as I stroll through the airport, leaving my hometown once again after the conclusion of the holidays. The airport isn’t as busy as I had anticipated and thanks to my nervous and obsessive nature, I showed up far too early. Lucky for me, I’ve got plenty of time to...

Last month, Rich Brown visited 80 Gladstone in Toronto with vocalist/pianist Wado Brown and drummer Larnell Lewis, and recorded some live music. Among the tunes was Bob Marley’s “Turn Your Lights Down Low”, which the trio makes their own. This one is a lot of fun.

English jazz/rock fusion pioneers Soft Machine played the Montreux Jazz Festival in Switzerland in 1974, and now the audio and video recordings of that performance are available in a CD/DVD set called Switzerland 1974. The group at the time featured Roy Babbington on bass, as well as Allan Holdsworth on guitar. Holdsworth only remained with the group for 15 months,...

There is a memorable scene in the Modern Electric Bass instructional video from 1986, when Jerry Jemmott asks Jaco Pastorius who really influenced the development of his playing style. Without missing a beat, Pastorius starts riffing on some of Jemmott’s classic funk bass lines. He talks about how he would listen to the radio, and try to emulate the sounds...

Vulfpeck’s Jack Stratton just sent me his latest visualization video. This time around, the tune is Stevie Wonder’s “I Was Made to Love Her” – once again showcasing the genius of James Jamerson.

Bob Dylan has taken on some American pop standards, and according to a Los Angeles Times review of Shadows in the Night, the bass leads the way. “Guided by bassist Tony Garnier‘s liquid lines, ‘Shadows’ is an exercise in precision, each syllable essential, each measure evenly weighted,” reviewer Randall Roberts writes. Garnier is Dylan’s longtime bassist and has also worked...