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Talking Style: Quartet Time/Feel

Sometimes a simple shift in accent or change in the length of a note can really mark a particular style or genre. In this episode, I’m taking a very recognizable Dominant 7 line and shifting accents and note length to demonstrate how the exact same harmonic material sounds different in Blues, R&B and Quartet music.

Follow along with the transcription and the video below.

Ted Gould III, also known as “Blyss”, is a bassist and music educator originally from New Orleans now based in the Bay Area. Connect with him at sonofabass.com and check out his new Slap Bass course.

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