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Ariane Cap

Ariane Cap

Austrian Ariane Cap is a multi instrumentalist, educator, author, blogger and composer. An eclectic and versatile bassist, she has covered many styles, from Rock (Keith Olsen/Fleetwood Mac), Jazz (Daline Jones, Montclair Women’s Big Band) to Folk and Flamenco (Muriel Anderson), to classical music (The Mozart Band), and Top 40 (Brian Cline Band), Latin Disco (Generation Esmeralda) to Punk Rock (The Sippy Cups) and Cirque du Soleil. As a leader, Ariane has teamed up with star Jazz bassoonist Paul Hanson to create the critically acclaimed duo ‘OoN’.

Her book Music Theory for the Bass Player was published in September 2015 and hit #1 bestseller status in its category within weeks. It is a groundbreaking book that teaches music theory in shapes via fretboard diagrams rather than through teaching standard notation at the same time, which, as the author says, is a vital (but different) skill, that is easier to learn once music theory is mastered.

Ariane started a blog in October 2015 at arisbassblog.com featuring free teaching videos about concepts in her book.

Ariane is also an educator for the powerhouse TrueFire. Her first course is called Pentatonic Playground for Bass and is available as a download or DVD.

Ariane has been featured for her creative playing techniques and solid bandmanship in Bass Player Magazine (January 2014), Bassquarterly (September 2013) and other publications.

She teaches at the Berkeley Jazz School and her own Music School, Step Up Music Vallejo. Ariane has facilitated countless classes, seminars and workshops. She taught and created online classes for the Academy of Art University San Francisco and was on faculty of The Golden Gate Bass Camp. Her own education includes Austrian music schools and conservatories, including the Academy of Music Vienna, as well as American Universities (University of Miami and others). She has studied and assisted in Victor Wooten’s Bass Nature Camps and Steve Bailey’s Bass at the Beach. Other teachers and mentors include Kai Eckhardt, Chuck Rainey and Michael Manring.

Connect with Ariane:

Blog | Website | OoN | Step Up Music Vallejo

Articles by Ariane Cap:

  • Talking Technique: Close Your Eyes and “See” in New Ways

    Talking Technique: Close Your Eyes and “See” in New Ways

    Let’s start with a simple exercise. I say, go ahead, get your bass and just do it – that way you get the full benefit from this article. To start, let’s play a simple shift, such as C to D on the A string with the first finger on both notes (this is not the... »

  • Talking Technique: “Mordents” for Finger Strength

    Talking Technique: “Mordents” for Finger Strength

    Today we have another multi-layered workout for you to build up your finger strength. This lesson will help you practice a scale up and down one string while improving coordination and strengthening your fingers. It’s not a beginner’s workout, but wherever you are on your journey, give it a good try. You’ll need to be... »

  • Talking Technique: Efficient Practice Hacks #5: Mnemonics – Part 2

    Talking Technique: Efficient Practice Hacks #5: Mnemonics – Part 2

    More memory tools for bass players! This is part two in my mini series on Bass Mnemonics. Mnemonic – hard to say the word – but endlessly useful! You can take a look at part 1. Here is more… and a time-limited bonus for you at the end! Eartraining: Song beginnings are a great way... »

  • Talking Technique: Efficient Practice Hacks #5: Mnemonics – Part 1

    Talking Technique: Efficient Practice Hacks #5: Mnemonics – Part 1

    Harness the power of these creative time tested memory tools. They will enrich your bass playing and are useful for all walks of life. A mnemonic is any idea or device that aids in remembering something. Maybe you are familiar with “Large Elephants Jump Slowly And Sink Rapidly” – helping US students remember the seven... »

  • Talking Technique: Efficient Practice Hacks #4 – Motivation

    Talking Technique: Efficient Practice Hacks #4 – Motivation

    Having trouble getting motivated to practice? Just not feeling it? Here are a few simple action items to help get you going. I have found them very useful for myself and my students. Famously, there are two kinds of motivation (or impulses that lead to motivation to act): extrinsic (from the outside) and intrinsic (from... »

  • Talking Technique: Efficient Practice Hacks #3 – Put Your Bass Under Your Pillow

    Talking Technique: Efficient Practice Hacks #3 – Put Your Bass Under Your Pillow

    Installment three in my series on my favorite practice “hacks” may almost seem too good to be true. However, this has nothing to do with wishful thinking, the law of attraction (I am more of a “law-of-action” kinda gal), or superstition. It has everything to do with brain science and the power of the mind!... »

  • Talking Technique: Efficient Practice Hacks #2 – How to Take a Break

    Talking Technique: Efficient Practice Hacks #2 – How to Take a Break

    Welcome to installment two in my series on my favorite and most efficient practice “hacks.” You have probably heard of this one – taking breaks. Here are some tips on making the best of these breaks! After about 20 to 25 minutes of focused, distraction-free practice (one “Pomodoro” if you are hip to the Pomodoro... »

  • Talking Technique: Efficient Practice Hacks

    Talking Technique: Efficient Practice Hacks

    Are you (like me) always on the hunt for the latest and most efficient practice “hacks”? Today I am starting a series here on Talking Technique introducing you to my personal favorites. Some of them are quite unexpected, and I encourage you to try them and see the results for yourself. Some go back to... »

  • Talking Technique: Beautiful Practice in Minor

    Talking Technique: Beautiful Practice in Minor

    Last July, I published a Talking Technique lesson called “Beautiful Practice“. It recently made a reader’s favorite list for 2016 here on No Treble thanks to your likes, shares, and comments. Thank you for that! The lesson brought together music theory, comprehensive fretboard knowledge, and lots of technique aspects. I thought we’d bring the lesson... »

  • Talking Technique: The One-Finger-Per-Fret Controversy

    Talking Technique: The One-Finger-Per-Fret Controversy

    Some people are afraid for their fingers, while others swear by it: the one-finger-per-fret position. Is there is a reason to fret “one-finger-per-fret”? Not if done right. Is it worth getting it down? Yes! [Read to the end for “Practice-with-me” videos.] I definitely recommend having a solid grip (so to speak) on the one-finger-per-fret method.... »