Articles by Ariane Cap - Page 5

Today we’re going to go over a few tips on how to spice up a groove using octaves. Of course, we’ll focus on good fingering practices to make the notes sound smooth and connected. You can use this technique when practicing rudiments and scales, but check out this PDF to work up an example using one- and two-chord grooves.

There is a step by step process that can help you change ingrained habits. It is a fast and effective technique to practice just about anything so effectively that it can become addictive. But it is also a great catalyst for changing ingrained habits. That is good news, because if you have ever tried to change a habit – be...

In episode 22, we introduced a way of practicing scales that uses intervals rather than going up and down the scales themselves. We went over thirds, which gives you great materials for runs, fills, and solos. Someone asked in the comments if I could give some examples of how to use the material in a chord progression, so that’s what...

If you’ve been following this column for a while, you know we place a lot of emphasis on the details of good technique, including the left hand. Sometimes, though, we go to see our favorite bass players and they have the “pistol grip”. So is it really necessary to use one finger per fret and good posture on the fretboard?...

Everyone loves a perfectly placed fill. That’s why today we’ll be going over scalar exercises that will help us create those tasty licks while beefing up our technique. In essence, we’re practicing a scale. Typically when you play a scale, you go from root to root in order. But we’re going to break it down and move in thirds instead!...

Want a formula to create grooves over a chord progression? We’ve got you covered in this lesson with an exercise that bolsters our technique while building grooves with triads. We’ll tackle a I-vi-IV-V chord progression using a formula that has two main ingredients: triad notes and rhythm. The triad notes are already laid out for us, but we can pick...

Looking for ways to spice up your grooves? Double stops are a great option. In their most basic form, double stops are when we play two notes together at the same time. They can sound muddy in some registers of the bass, but we’ll go over some tricks to make them sound like gold. This is another all-in-one lesson as...

How about some cool two octave triad fills for your grooves? Playing triads over two octaves is surprisingly difficult to do on the bass. Today we’ll cover how to not only master playing those triads over two octaves, but also how to build some cool fills from that tonal material. An important tip ensures that delivery is right. Be sure...

Triads are three note chords that serve as the building blocks of functional harmony. As bass players, it’s important for us to recognize triads by ear and to know how to play them starting on each string in all keys and in all registers of the bass. We’ll focus on the major triad in this lesson to get your ears...

This lesson is called “Beautiful Practice” for a reason. Our exercise this week creates a lush harmony and texture all while working out our theory and technique at the same time. The theory portion of this week’s lesson is that we’ll be playing diatonic triads in open voicings. If that sounds foreign to you, don’t worry. We’ll be breaking down...

Typically when we play scales, we play across the strings, but there’s a lot of value in playing all the way up a single string. It helps us to think in positions and to mentally know how many steps you are skipping as you walk up the string. Today we’ll be working on our theory as well as our technique...

When you’re playing fingerstyle, where do you put your right thumb? You can anchor it on the pickup, but that can limit your tonal range. You could anchor on the lower strings, but then where do you put it when you need to play those strings? That’s precisely the question we got from a reader, so today we’re examining the...