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Damian Erskine

Damian ErskineDamian Erskine is known for his ability to fit into any musical situation, extraordinary reading and improvising skills as well as being an educator and columnist. He has played in the studio or on the stage with the likes of Peter Erskine, The Jaco Pastorius Big Band, Les McCann & Javon Jackson, Gino Vannelli, Jeff Lorber, George Colligan, Sveti w/ Marko Djordjevic, Vardan Ovsepian, Charmaine Neville, Tony Furtado and many others as well as being featured on the GospelChops.com Shed Sessionz Vol. 1 DVD.

Damian is an adjunct professor at Portland State University in Portland, Oregon and has also appeared as an instructor at Gerald Veasley's Bass Bootcamp, the National Guitar Workshop as well as the Berklee College of Music's Guitar Week.

In addition to his weekly Q&A column on No Treble, Damian has written for Bass Player Magazine, Bass Musician Magazine as well as authoring his own books, Right Hand Drive and The Improvisor’s Path.

Articles by Damian Erskine:

  • Getting the Most Out of Your Bass

    Getting the Most Out of Your Bass

    Q: I use a Fender American Standard Jazz bass and have Labella Flats on it. It’s a great bass, but not suitable for the type of genres that I play. I am seeking for a fatter and tighter sound, as deep as possible but with a lot of clarity. I have been looking into different... »

  • Arranging for a Band

    Arranging for a Band

    Q: Admittedly, this is not a bass specific question, but I am curious to know your thoughts on arranging standards and original tunes for a jazz quintet consisting of trombone, alto sax, drums, guitar, and upright/electric bass. I’ve written 15 or so tunes for the band, and we play some standards (“Satin Doll”, “Ornithology”, “A... »

  • How To Transition to Pro Level?

    How To Transition to Pro Level?

    Q: My question is this: how did you transition to a pro level and play concerts vs. playing bars and functions? I have been playing for quite a few years and have played with some very good musicians out of Berklee and local players, but I always dream of stepping up to the next level.... »

  • Making Walking Bass Lines Come Naturally

    Making Walking Bass Lines Come Naturally

    Q: I would like to ask you about improvising bass lines. Could it be unconscious? I recognized that when I play walking bass, I’m always think about how to reach the next chord. I sometimes have great ideas that I hear in my mind’s ear, but most of the time it’s a really conscious procedure.... »

  • Making Arpeggios Musical

    Making Arpeggios Musical

    Q: I know how to outline chords but how do you play them so they don’t sound mechanical or like an exercise? Any particular patterns that you like when approaching a chord? Thanks bud for all of your hard work! A: I’ve written quite a bit about playing arpeggios and inversions through changes (using the... »

  • On Harmony

    On Harmony

    I spend quite a bit of time traveling both within the U.S. and abroad. As of this moment, I have been on a month-long trip that has brought me through Canada, Italy, Denmark, Norway, Cyprus, and I’m currently in Lebanon. Before this trip, I was in Hong Kong. In a few months, I’ll be in... »

  • Promoting Yourself as a Bassist

    Promoting Yourself as a Bassist

    Q: I’m currently playing for a punk band that has pretty good local success in that genre, however, having done this for a while I know no band lasts forever and I would like to aim higher. I would also like to get my name out as a bassist available for side projects, lessons, etc.... »

  • Solving Finger Pain To Continue Practicing

    Solving Finger Pain To Continue Practicing

    Q: As a bass player, having practiced all day until one’s fingernails are aching, what is the solution for a quick pain relief so I can continue to practice the next day, without skipping a day? A: While I can’t imagine what kind of practice makes your fingernails hurt (double thumb workouts?), I do have... »

  • Soloing When The Band Drops Out

    Soloing When The Band Drops Out

    Q: I’ve been reading through your No Treble columns and had a question pop into my head. I’ve been asked to play more solos recently at a lot of different gigs from jazz to R&B. I find that half (or more) of the time, when it comes to the bass solo, everyone stops playing except... »

  • Could I Work as a Transcriptionist?

    Could I Work as a Transcriptionist?

    Q: I have a question and was wondering if you could point me in the right direction. Lately I’ve been thinking about a career change. Quick background: I graduated from Missouri State University two and a half years ago with a Bachelor’s Degree in Marketing. I’m not happy at my current job, and a part... »