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Damian Erskine

Damian ErskineDamian Erskine is known for his ability to fit into any musical situation, extraordinary reading and improvising skills as well as being an educator and columnist. He has played in the studio or on the stage with the likes of Peter Erskine, The Jaco Pastorius Big Band, Les McCann & Javon Jackson, Gino Vannelli, Jeff Lorber, George Colligan, Sveti w/ Marko Djordjevic, Vardan Ovsepian, Charmaine Neville, Tony Furtado and many others as well as being featured on the Shed Sessionz Vol. 1 DVD.

Damian is an adjunct professor at Portland State University in Portland, Oregon and has also appeared as an instructor at Gerald Veasley's Bass Bootcamp, the National Guitar Workshop as well as the Berklee College of Music's Guitar Week.

In addition to his weekly Q&A column on No Treble, Damian has written for Bass Player Magazine, Bass Musician Magazine as well as authoring his own books, Right Hand Drive and The Improvisor’s Path.

Articles by Damian Erskine:

  • Making Practice Meaningful

    Making Practice Meaningful

    Q: I have a shelf full of instructional books, methods, transcriptions, etc., but I feel like they don’t actually help at all. I just play through things and while I feel like I practiced, I don’t really see how any of that stuff is helping. Any thoughts? A: I know exactly how you feel. It... »

  • How to Reharmonize a Song

    How to Reharmonize a Song

    Q: I’ve heard jazz musicians talk about “reharms”, which are just reharmonization of a song (or so I’m told). Can you explain how to “reharmonize” a song? A: There was a time where I was also mystified by whatever the process of reharmonizing a tune might be. I figured that it must require some deep,... »

  • How To Get “Your Sound” In The Studio

    How To Get “Your Sound” In The Studio

    Q: I was recently listening to your newer album and was really loving the tone you get. Can you talk a little about how make sure to get “your sound” in the studio? Also, any general tips for recording in the studio would be helpful, too. I’m about to record our band’s first album and... »

  • Overcoming Learning Disabilities in Music

    Overcoming Learning Disabilities in Music

    Q: What advice do you have for someone who has problems with playing 16th notes and has learning disability in math? I have goals to play music in my own gigs and play at a couple venues, but I’m doubting whether it’s even possible to play on one’s own. A: I don’t think that a... »

  • Ask Damian Erskine: Mailbag

    Ask Damian Erskine: Mailbag

    As readers send in questions, one of three things happens: a) I turn it into an “Ask Damian” column, or b) I respond directly, because the question doesn’t quite warrant an entire column (I do try to respond to everybody) or c) it gets put into the folder of questions that I’d like to answer... »

  • Getting Better Intonation on a Fretless Bass

    Getting Better Intonation on a Fretless Bass

    Q: I’ve recently made a switch from fretted to fretless bass, and so far it’s been awesome, but here’s the thing… A couple of the fretted basses I’ve played so far were all 34-inch scale, and the fretless I now play is a 35-inch scale six-string – and it’s unlined. So stretching my fingers that... »

  • Double Bass vs. Bass Guitar

    Double Bass vs. Bass Guitar

    Q: I have been playing bass guitar for about 8 years, got my grade 8, toured, recorded and got myself to a semi-professional session level. As I am going to go full time as a bass player in the next 18-24 months (I am realistic as well as ambitious) I started lessons with an outstanding... »

  • Cutting Through a Big Band: A Discussion for Bass Players

    Cutting Through a Big Band: A Discussion for Bass Players

    Q: I’m playing in a jazz band of over 40 people in a song featuring bass guitar. I’m looking for a pedal that will make my sound distinct and rise above the band but not distort it. Any recommendations? Thanks. A: Personally, I wouldn’t change my sound much at all. You might leave yourself a... »

  • Dealing with Sound Engineers

    Dealing with Sound Engineers

    Q: I have a question regarding how I might get my sound man to successfully change all the monitors on stage, (5 stage mixes) before a song with a different lead singer and making the original lead singer a backup and not in the musicians mix anymore. Changing to a song that is led by... »

  • How To Approach Composing: A Discussion for Bass Players

    How To Approach Composing: A Discussion for Bass Players

    Q: I’m in a situation where I’m in a cover band that is wanting to expand into doing original music, but they’re kind of looking to me to be the one to lead the writing as I have the most experience as far as music knowledge goes. Even though I’m well versed in my theory... »