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Damian Erskine

Damian ErskineDamian Erskine is known for his ability to fit into any musical situation, extraordinary reading and improvising skills as well as being an educator and columnist. He has played in the studio or on the stage with the likes of Peter Erskine, The Jaco Pastorius Big Band, Les McCann & Javon Jackson, Gino Vannelli, Jeff Lorber, George Colligan, Sveti w/ Marko Djordjevic, Vardan Ovsepian, Charmaine Neville, Tony Furtado and many others as well as being featured on the GospelChops.com Shed Sessionz Vol. 1 DVD.

Damian is an adjunct professor at Portland State University in Portland, Oregon and has also appeared as an instructor at Gerald Veasley's Bass Bootcamp, the National Guitar Workshop as well as the Berklee College of Music's Guitar Week.

In addition to his weekly Q&A column on No Treble, Damian has written for Bass Player Magazine, Bass Musician Magazine as well as authoring his own books, Right Hand Drive and The Improvisor’s Path.

Articles by Damian Erskine:

  • Quickly Figuring Out Available Notes For Given Chord Types

    Quickly Figuring Out Available Notes For Given Chord Types

    Q: I’ve been trying to learn how to figure out what notes are available for any given chord type. I’ve read columns here (yours are very helpful), Googled it, bought books… I just seem to get more confused at every turn. Once I think I’ve got it, I’ve lost it. Do you have any quick... »

  • Learning Music: To Pursue a College Degree (Or Not)

    Learning Music: To Pursue a College Degree (Or Not)

    Q: What I want to know is this: by not pursuing a higher education in music (music college), what am I missing out on and what is most important to take away from that experience? A: Professionally speaking, a degree in music won’t do anything for you unless you are are shooting for a career... »

  • Reader Question Roundup: Legato Playing, Short Practice Schedules and Playing Complex Music

    Reader Question Roundup: Legato Playing, Short Practice Schedules and Playing Complex Music

    I’m sitting in my hotel room in Lincoln, Nebraska and sifting through my file with all the questions submitted by readers I have yet to answer. Three of them were short enough to put together a “reader question roundup”. I thought this would be a nice change of pace – and one that would allow... »

  • A Discussion on Slap Bass Tone and Technique

    A Discussion on Slap Bass Tone and Technique

    I get a an insurmountable number of emailed questions asking about slap tone and technique. While I have mentioned dozens of times in various columns that I never really explored the slap side of bass, I have fiddled with it enough, in addition to knowing quite a few fantastic slappers. I know how to get... »

  • Thinking In Modes or Scales and Constructing Bass Lines

    Thinking In Modes or Scales and Constructing Bass Lines

    Q: I’ve been trying to learn how to play over the changes, but I’m super confused about one particular aspect: I don’t know I should think of scales. For example when I’m playing over a G dominant chord, should I think G mixolydian or should I think fifth mode of the C major scale? In... »

  • Two-Handed Tapping and Developing Hand Independence for Bass Players

    Two-Handed Tapping and Developing Hand Independence for Bass Players

    Q: I have been practicing two-handed taping and can’t get independence between left and right hand. Specifically, I can’t play rhythm patterns with my fretting hand and independently play harmony with the plucking hand. Can you suggest some workout for this kind of problem? A: While I have very limited experience with two-handed tapping, I... »

  • Exploring New Ways to Practice Chord Changes on Bass

    Exploring New Ways to Practice Chord Changes on Bass

    Q: I was wondering if you had any new ways of practicing playing through changes? I have been working on my arpeggios and modes but feel like I’m just hitting a wall. A: I don’t know if this counts as a new way of playing through changes, but there are an endless number of options... »

  • Bass Players: On Staying Motivated and Avoiding Unhealthy Comparisons

    Bass Players: On Staying Motivated and Avoiding Unhealthy Comparisons

    Q: How do I come to terms to the fact that I will never be a Damian Erskine-caliber player? How do I keep myself motivated to learn when I am always comparing my sucky playing to much better players? Why would anyone – especially another bass player – want to listen to me play? A:... »

  • What’s the Best Way To Learn Electric Bass?

    What’s the Best Way To Learn Electric Bass?

    Q: You can go to school and study electric bass in a jazz program, you can listen to records and learn from them, you can check out lessons on Youtube, you can subscribe to bass player’s online teaching regimens… But how do you know what is the best way to become a competent, professional level... »

  • Bass Cabinets: On Speaker Sizes and Pairing Them Up

    Bass Cabinets: On Speaker Sizes and Pairing Them Up

    Q: I read the blog of a musician explaining that combining bass cabinets based on speaker size makes a big difference in sound. He also said that combining two 410 cabinets is better than combining a 410 with a 115. I was under the impression that a 410 cab combined with a 115 cab was... »