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Articles by Ryan Madora - Page 14

  • Groove Clinic: An Interview with Andrew Gouche

    Groove Clinic: An Interview with Andrew Gouche

    Photo credit: Ilán Terrell As a long-time camper and recent instructor at Gerald Veasley’s Bass Boot Camp, I’ve spent many a camp learning from some of the bass greats. A few years ago, Andrew Gouche appeared for the first time as an instructor at the BBC, bringing along gospel and a whole lotta soul. This... »

  • Treat Yourself to Some Inspiration

    Treat Yourself to Some Inspiration

    As artists, we are constantly on the search for one thing: inspiration. Inspiration fuels our art, influences our style, and pushes us to perfect our craft. It’s what keeps us learning bass line after bass line, way into the wee hours of the morning, and it persuades us to call one drummer over another. It... »

  • Ear Training and the iTunes Game

    Ear Training and the iTunes Game

    As a musician, our greatest tool is our ears. Our job within a musical context is to listen, and quite frankly, to play notes that sound good. As a bass player, we need to be on our toes and quickly decipher the bass line and at the very least, the root notes of the chords... »

  • Food for Thought: A Guide to Healthy Eating for the Working Bassist

    Food for Thought: A Guide to Healthy Eating for the Working Bassist

    We all know that it’s important to eat right, get exercise, have a healthy lifestyle, and stay away from fried foods and candy, but what does that have to do with playing music? The fact is, playing an instrument is both a mental and physical endeavor that requires a certain amount of fuel. It may... »

  • Repeat After Me: Metronomes (and Drum Machines) Are Fun

    Repeat After Me: Metronomes (and Drum Machines) Are Fun

    First things first, I’m not trying to open a “metronome debate.” I’m also not trying to lecture people about using (or not using) a metronome during their practice sessions. Instead, I’m going to shed some light on why and how metronomes can be useful tools when it comes to practicing and experimenting with your instrument.... »

  • Guiding Your Own Practice: A Checklist for Improving Your Practice Routine

    Guiding Your Own Practice: A Checklist for Improving Your Practice Routine

    Confession: I played bass for years without ever practicing. I didn’t know what to focus on and certainly didn’t have enough discipline for it… I just wanted to play. I played along with records, I fooled around and discovered certain licks, and I hung out with musical buddies who would give me tips now and... »

  • Essential Items for the Gigging Bassist: A Gig Survival Checklist

    Essential Items for the Gigging Bassist: A Gig Survival Checklist

    No matter how prepared someone usually is, most gigging bassists will find themselves at a gig, searching through their bag of “stuff” and saying: “hey, where’d my _____ go?” It happens to everyone at least once. If this has happened to you, you’ve probably experienced one of three outcomes: You get extremely lucky since you... »

  • I Wish I Knew That: The Size of the Crowd Doesn’t Matter

    I Wish I Knew That: The Size of the Crowd Doesn’t Matter

    Greetings, bass players! Although I’ve enjoyed writing about the blues for the past few months, a new year calls for a new subject, and I’ve decided to shift gears a bit. Thanks to you guys, No Treble readers, and to the nifty technological advancements that allow us to communicate in new ways, I’ve been impressed... »

  • The Most Influential Blues Bassists: Part 2

    The Most Influential Blues Bassists: Part 2

    After reading the previous column in this two-part series, I’m hoping you’ve had a chance to check out some music featuring the playing of Willie Dixon and Duck Dunn. Their old school approaches to playing blues compliments the players they accompanied and reflects how novel full-band blues recordings were in the 1950’s and ’60’s. Early... »

  • The Most Influential Blues Bassists: Part 1

    The Most Influential Blues Bassists: Part 1

    One of the common bonds between a lot of us bass players is that we learned how to play by ear. Unlike other instruments, such as the clarinet or piano, we didn’t start out by taking private lessons, nor did we play in the fourth grade orchestra at school. Instead, we heard songs on the... »