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  • Talking Technique: Sweet Emotion

    Talking Technique: Sweet Emotion

    There’s nothing like starting a song with a cool bass riff. “Sweet Emotion” by Aerosmith shines a light on the bass for sure! At the very top, we set the tone. To play this riff correctly and in time right out of the box is what it’s all about. How to approach learning something like... »

  • Stuart Clayton: Bass Lick of the Week #1 – Funk Groove

    Stuart Clayton: Bass Lick of the Week #1 – Funk Groove

    Our friend Stuart Clayton recently made the exciting announcement that he’s kicking off a year-long series entitled “Bass Lick of the Week.” Here’s the first entry in the series, focused on playing a funk groove with a pick. “Each week I’ll be uploading a new video where I demonstrate an original bass groove – with... »

  • Creative Bass Lines: Increasing Fingerboard Knowledge – Part 3: Minor Arpeggios

    Creative Bass Lines: Increasing Fingerboard Knowledge – Part 3: Minor Arpeggios

    Continuing our series on increasing fingerboard knowledge, here’s the accompanying Minor Arpeggio Exercises to play all across the fingerboard. This is the same principle as the Major types. I’ve given you a number of variations to try, and you’ll see this gives you more options when playing over a minor chord type. As usual, practice... »

  • Creative Bass Lines: Increasing Fingerboard Knowledge – Part 2: Arpeggios, Major 7ths & Beyond!

    Creative Bass Lines: Increasing Fingerboard Knowledge – Part 2: Arpeggios, Major 7ths & Beyond!

    We have not one, but two lessons for you this month! In this lesson, I’ll talk you through major 7th, then 9th, ♯11th and 13th arpeggios, which follows part one (“Triad Visualization”). I am a firm believer in learning these concepts in multiple ways/fingerings – it all goes to increase our overall knowledge of the... »

  • Advanced Bass: How to Play Across the Bar Line

    Advanced Bass: How to Play Across the Bar Line

    In this lesson, we’ll take a deep dive inside the world of playing across the bar line. Equally as relevant for both your solo lines and your groove playing, we will cover how to play across the bar line by using “Time Signature Superimposition” that will take your phrasing to a whole new and exciting... »

  • Advanced Bass: Creative Chordal Connections

    Advanced Bass: Creative Chordal Connections

    This challenging bass lesson highlights Creative Chordal Connections, enabling you to understand complex jazz concepts while revealing how learning to play chords on the bass will help you to hear different chord qualities with greater clarity and ease. Follow along with the transcription and the video below. »

  • Creative Bass Lines: The Chameleon Variations

    Creative Bass Lines: The Chameleon Variations

    In this lesson, I’ve taken a pretty classic and fairly easy to play bass part from Herbie Hancock’s “Chameleon” and given you a few examples of how to use that as a springboard for creating other bass lines around that core groove. This can be really useful when playing under multiple soloists on the same... »

  • Advanced Bass: Displacing Walking Bass Lines

    Advanced Bass: Displacing Walking Bass Lines

    Rhythmic Displacement is a concept based on being able to hear and perform rhythmic patterns starting on different subdivisions of the beat. The new superimposed rhythm creates an interesting illusion with the lines you are playing, which in turn creates tension. This lesson is aimed at giving you usable ideas for improvising walking bass lines... »

  • Creative Bass Lines: Funking with the Dorian Mode and the Blues Scale

    Creative Bass Lines: Funking with the Dorian Mode and the Blues Scale

    Welcome back to the third installment of Creative Bass Lines. Before we start, I’d like to take a moment to say a fond farewell to the amazing Victor Bailey who sadly left us way too soon a few days ago. Victor was an enormous influence on me, and his highly melodic yet super funky playing... »

  • Talking Technique: Drills for Fills – Applied

    Talking Technique: Drills for Fills – Applied

    In episode 22, we introduced a way of practicing scales that uses intervals rather than going up and down the scales themselves. We went over thirds, which gives you great materials for runs, fills, and solos. Someone asked in the comments if I could give some examples of how to use the material in a... »