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  • Talent vs. Hard Work

    Talent vs. Hard Work

    Q: I have a question on talent. Here is some background first: three years ago, I took up learning electric guitar (aged 45) without any prior learning of music, instruments, etc. – truly from scratch. I took classes in a music school and practiced daily a half and hour to 2 hours every day. I... »

  • The Lightbulb Moment: Man VS Metronome

    The Lightbulb Moment: Man VS Metronome

    Scales, scales, scales. Why does my teacher always make me play scales? If I have to play the C Major scale one more time, I think I’ll puke. And with a metronome? Why can’t I just learn songs and jam with my friends? Ah, the war between playing and practicing. I know this battlefield well;... »

  • The Lightbulb Moment: Super Powers

    The Lightbulb Moment: Super Powers

    “We can fly!” “You can fly!” “We can fly!!” “Come on, everybody! Here we gooooooo… Off to Neverland!” With just a few happy thoughts and a sprinkle of pixie dust, Peter Pan, Wendy, John and Michael swooped around the nursery, singing, laughing, and soaring with the greatest of ease. It was off to Neverland for... »

  • Adding Some New School Playing to an Old School Bassist

    Adding Some New School Playing to an Old School Bassist

    Q: I’ve been playing a certain way or style (as in thump, pop or blues) for as long as I can remember. Today’s bass players tend to play a lot – it seems way busier. What do you recommend for an old school bassist who wants to update to today’s styles so it sticks? A:... »

  • Practicing vs. Performing for Musical Growth

    Practicing vs. Performing for Musical Growth

    Q: I’ve been playing the bass in a blues band for two years. Then we started playing rock and funk songs, and my practicing has always been based on what I hear and what I feel. I don’t really count in my head, and I’ve hardly worked my scales but my band keeps telling me... »

  • Bass Players: On Staying Motivated and Avoiding Unhealthy Comparisons

    Bass Players: On Staying Motivated and Avoiding Unhealthy Comparisons

    Q: How do I come to terms to the fact that I will never be a Damian Erskine-caliber player? How do I keep myself motivated to learn when I am always comparing my sucky playing to much better players? Why would anyone – especially another bass player – want to listen to me play? A:... »

  • Exploring the Value of Slap Bass

    Exploring the Value of Slap Bass

    Q: I get so excited with seeing and hearing amazing slap bass playing. However, I’m wondering how many eggs to put the “slap basket.” I have tried a couple of different books and videos and have finally settled on Louis Johnson’s DVD from 1984. I am still working on the first lick and able to... »

  • Thoughts On Multi-Instrumentalism

    Thoughts On Multi-Instrumentalism

    Q: What is your opinion on playing multiple instruments (for example double bass or piano) versus focusing on one instrument? I noticed a double bass in the background of one of your recent videos and wondered what your thought process had been when deciding to take up a new instrument. A: I was primarily a... »

  • Types of Listening: Three Approaches for Bass Players

    Types of Listening: Three Approaches for Bass Players

    Q: How do you hear music, as in a critical method of hearing? How can your playing or musicality get better just by hearing a certain genre or style? Do you perhaps hear a piano comping and try to do the same if you are digging it? A: The answer to this question could fill... »

  • Self Expression: Thoughts and Discussion for Bass Players

    Self Expression: Thoughts and Discussion for Bass Players

    Q: Most pros say that playing with other musicians is one of the most important things a bassist can do. After practicing alone for a few years, I’ve returned to the band setting. I love gigging and I love band practice, but I find myself playing very conservatively. In no way am I trying to... »