Improvisation Archives - Page 2
Advanced Bass: Giant Steps Plays the Blues
“Giant Steps” is well known as a challenging workout for all aspiring jazz musicians to learn. In this lesson, we’ll cover how to superimpose “Coltrane Changes” over the first 4-bars of the Blues with a fingerboard friendly symmetrical pattern that will open doors – both harmonically and stylistically into the world of John Coltrane. Download the transcription for this lesson...
Advanced Bass: Displacing Walking Bass Lines
Rhythmic Displacement is a concept based on being able to hear and perform rhythmic patterns starting on different subdivisions of the beat. The new superimposed rhythm creates an interesting illusion with the lines you are playing, which in turn creates tension. This lesson is aimed at giving you usable ideas for improvising walking bass lines using the concept of Rhythmic...
Advanced Bass: How to Use Melodic Quotes in Your Solos
The use of melodic quotation is prolific within the genre of jazz and its related modern styles. In this lesson, we’ll cover how to use melodic quotes in your solos and breakdown some of the commonalities used by many great jazz masters. Applying this to two choruses of a B? blues progression, we’ll take a step-by-step analysis which includes taking...
Thinking Fast When Improvising
Q: I have been practicing with some jazz musicians who are more experienced than I am. For the most part, everything is fine, but I’m having trouble keeping up with the more up tempo numbers – walking and especially soloing. I just feel like my brain and fingers can’t keep up with the music. How can I think faster in...
Advanced Bass: Groove Follow Ups
This challenging lesson outlines a musical tactic called “follow ups” to add to your groove tool box. We’ll go over some cool ways to create call and response follow up patterns using all of the components of music – helping you to play great lines over chords that will render tasteful musical ideas! Be sure to download the transcription for...
Getting Started: A Beginner’s Guide to Improvising a Bass Line
Whether you are a beginning bassist, or an accomplished musician who is simply accustomed to reading written music, it can be daunting when first asked to improvise a bass line. Some people stumble, others freeze. Some think they need to be well versed in college level theory. However, there is no reason to fear even if you know only a...
Advanced Bass: Stitt & Trane Blues
The Blues is one of the major building blocks for jazz and improvised music, making it a logical starting point for applying your improvisational concepts. The problem exists when people learn some concepts and then attempt to jam along with no specific goals in mind. This is a big mistake! In this lesson, we’ll cover just one of the stepping...
Advanced Bass: Playing over Minor II V Patterns
In this Advanced Bass lesson, we’re diving into the realm of playing over minor II V patterns. I’m including a solo etude along with two skill developing drills as we work step by step through a common chord progression. This lesson includes an easy to follow chart (PDF) detailing the specifics of this lesson providing you with a valuable resource...
Learning to Jam
Q: Okay, I am an old rookie bass player. I always wanted to play, but I just took a long time to get started. I am playing with the praise band at my church currently, which is great; it’s making me take it seriously, and is a very forgiving environment as I learn. So far, I’m learning songs, and in...
Developing a Solo Over Chord Changes
Q: I have a question about improvising. If one browses the internet for learning how to improvise on the bass guitar, one can easily find lots of great tips: learn familiar melodies and expand them, learn solos from other instruments and be inspired by others. I would like to know about how to approach improvising using musical theory. In this...
Beginning Jazz Soloing: A Melody First Approach
Some methods of learning jazz improvisation start out from the beginning by asking us to memorize chords, scales, and to play patterns in every key. For those unaccustomed to improvising, or inexperienced in theory, starting out this way can be a daunting task. It can make the learning curve for improvisation seem insurmountable. Some people take naturally to it, of...
On Musical Expression and Playing Freely
Q: I’ve been wondering about what people really mean when they speak of “music as a language,” and how this applies to improvising. When I take a solo, I feel like I’m just running the same patterns over and over again and never really doing anything different from song to song. What thoughts do you have about this? A: This...