Life As Bassist Archives - Page 3

With all the things to work on to improve ourselves, it’s easy to lose sight of why we play bass. That’s why we’ve been polling famous bassists and the community at large on what they think makes a great bassist. (Be sure to check out What Makes a Great Bassist? Part 1: Playing for the Song). For part two of...

Q: I’ve found myself in a situation where I can’t set up a musical connection with my drummer. It’s been three months of rehearsals, but I just don’t feel comfortable playing, the rhythm-sections suffers and we don’t sound good. In my other bands, the great, non-verbal communication came right after one or two rehearsals. I realize I am also responsible....

Q: I do regular cover gigs, but I also play with a few original artists and I’m worried about them conflicting. I was wondering how you balance your “work” gigs with your “fun” gigs? A: I have touched on this in previous columns, but this is a topic worthy of its own dedicated discussion. For starters, this is a subjective...

There’s an old saying in the musical world that goes a little like this: “I didn’t even notice the bass until it wasn’t there!” While this may seem a bit unfair – as if all of the other instruments receive the listening attention they deserve while we stand in the back – it happens to be a great compliment. Of...

It’s easy to get wrapped up in the “hows” of bass playing: scales, chords, arpeggios, slapping, tapping, harmonics… Maybe you’re working on getting that one awesome lick just right so you can use it someday. With so much information to digest, sometimes it’s best to take a step back and remember what it is we’re actually working toward. What is...

Q: I’ve found myself in somewhat of a middle-ground with my gigs. Some gigs I have are with much better musicians than me, and I find that I actually play better with these guys. But many more of my gigs are just your everyday bar gigs. I’m noticing that I just can’t play the same way when the musicians around...

Q: I had a gig last night at a church and the room resonated right on F#. The designer of the church could not have designed it any better to mess up anybody playing F#. When I would hit an F#, it would instantly double or almost triple my output. Very crazy. I tried to remember to play it lighter...

As artists, we are constantly on the search for one thing: inspiration. Inspiration fuels our art, influences our style, and pushes us to perfect our craft. It’s what keeps us learning bass line after bass line, way into the wee hours of the morning, and it persuades us to call one drummer over another. It also pushes us to look...

This question came from a student the other day… Q: Was there a time when you knew that you had “arrived” with your playing, in some way? Is there a definitive moment or is it just a slow gradual process with no big leaps? Photo illustration by AlicePopkorn A: The answer to this question is both complicated and likely different...

Greetings, bass players! Although I’ve enjoyed writing about the blues for the past few months, a new year calls for a new subject, and I’ve decided to shift gears a bit. Thanks to you guys, No Treble readers, and to the nifty technological advancements that allow us to communicate in new ways, I’ve been impressed by the ongoing dialogue that...

Q: Having read previous columns, I noticed that you’ve lived all over the US. I was wondering if you’d found that developing a music career was any more beneficial in one place than another. I live in Edinburgh, Scotland, and get the impression from a lot of musicians and friends that Glasgow, Scotland or London, England would be a better...

Q: Just recently a drummer friend of mine offered me a gig. It’s a little local bar gig, with a fixed payout (around $150 for the night, for the band). My friend suggested we hire a great piano player for the gig, but to get him on this trio, he said we’d have to give him the full payment. I...