pedal Archives

Mission Engineering Introduces VM-PRO Volume Pedal

Mission Engineering has added a new volume pedal to their line up with the introduction of the VM-PRO. The pedal offers up an integrated buffer to maintain frequency response whether you’re using long cables or multiple effects pedals. The VM-PRO is available in standard and PZ versions to accommodate for standard pickups or piezos. The... »

Source Audio Now Shipping Soundblox 2 Orbital Modulator

Source Audio’s Soundblox 2 lineup has gotten a little spacier with the Orbital Modulator, a combination phaser, flanger, chorus and tremolo pedal designed for both bass and guitar. Housed in a cast-aluminum 4.5˝ by 4.5˝ chassis, the new stompbox offers plenty of tweakability with nine adjustable parameters including Depth, Feedback, Delay, Frequency, Volume, LoRetain (Source... »

Daring Audio Introduces Laser Cannon HD Bass Distortion Pedal

Daring Audio has upgraded their Laser Cannon with an HD version of the bass distortion pedal, which builds on the model’s functionality. New features include a state variable filter that allows low-pass, high-pass, and band-pass before and after the distortion circuit, two filters for separate pre and post gain filtering, expansion of the gain control,... »

Dunlop Releases MXR M83 Bass Chorus Deluxe

Dunlop’s new chorus pedal is described by the company as “powered by pure analog bucket-brigade technology”. The MXR Bass Chorus Deluxe includes top-mounted Flanger and X-Over buttons with LED status indicators. The pedal’s “X-Over Mode” offers up decreased modulation in the lower frequencies, designed for optimal results when playing upper register chords and lines and... »

EBS Announces Billy Sheehan Signature Drive Pedal

EBS will be debuting their latest offering for bassists at next week’s NAMM Show, the Billy Sheehan Signature Drive Pedal. Designed along with the bassist himself, the new pedal mixes clean and distorted signals together to preserve low frequencies to “find balance between distortion and definition.” “This pedal is a distillate of several important principles... »

TC Electronic Announces Ditto Looper Pedal

TC Electronic is getting back to the basics with the Ditto Looper, a looping pedal that keeps things simple with only a footswitch and a level control. The Ditto allows for five minutes of looping with unlimited overdubs to create full arrangements. All the magic is in the footswitch: press once to record, then press... »

T-Rex Effects to Debut Sweeper 2 Bass Chorus at 2013 NAMM Show

T-Rex Effects has updated their Sweeper 2 bass chorus pedal with easier-to-read graphics and a new algorithm that the company says gives a warmer and more vintage sounding effect no matter what depth or rate the pedal is set at. The Sweeper 2 is designed to be intuitive with Depth, Volume, and Rate controls. Though... »

Darkglass Electronics Unveils Vintage Microtubes Pedal

Darkglass Electronics has unveiled the Vintage Microtubes, a unique overdrive pedal aimed at creating classic rock and roll bass tones from the ’70s through the ’90s. “What we did for this one was to study the greatest and most legendary bass tones and all the components involved in creating them; amplifier brands, recording techniques, etcetera,”... »

Suhr Announces New Buffer Pedal

Suhr has introduced the Buffer pedal, a transparent signal buffer/line driver. The company explains that tone loss happens from signal degradation, which often is caused by long cable runs or using multiple instrument cables like on a pedal board. The Buffer uses unity buffering to reverse these effects. Suhr’s Buffer features a compact, aluminum enclosure... »

Loud Button Electronics Introduces Morphine Dream Distortion/Analog Phaser Pedal

The Morphine Dream, a new pedal from Loud Button Electronics is based on the classic Roland AP-7 that the company calls a “dreamy, eight-stage phaser with fuzzy vintage distortion up-front.” The pedal has four footswitches to control Effect/Normal, Fuzz/Clean, Shallow/Deep, and Slow/Fast as well as four rotary knobs to control Fuzz Level, Tone, Resonance, and... »