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  • Talking Technique: Beautiful Practice in Minor

    Talking Technique: Beautiful Practice in Minor

    Last July, I published a Talking Technique lesson called “Beautiful Practice“. It recently made a reader’s favorite list for 2016 here on No Treble thanks to your likes, shares, and comments. Thank you for that! The lesson brought together music theory, comprehensive fretboard knowledge, and lots of technique aspects. I thought we’d bring the lesson... »

  • Talking Technique: The One-Finger-Per-Fret Controversy

    Talking Technique: The One-Finger-Per-Fret Controversy

    Some people are afraid for their fingers, while others swear by it: the one-finger-per-fret position. Is there is a reason to fret “one-finger-per-fret”? Not if done right. Is it worth getting it down? Yes! [Read to the end for “Practice-with-me” videos.] I definitely recommend having a solid grip (so to speak) on the one-finger-per-fret method.... »

  • Talking Technique: Pull Off Pentatonics

    Talking Technique: Pull Off Pentatonics

    Pentatonics using hammer-ons and pull-offs sounds great, but maybe you have noticed that if you stay within the same pentatonic pattern, you can only hammer on certain notes. In an effort to go beyond that, we are stringing two pentatonic patterns together so that we can pull off pull offs from every single note. I’ll... »

  • The Lightbulb Moment: New Routes

    The Lightbulb Moment: New Routes

    If there’s one thing I can’t stand, it’s traffic. Anyone living in, visiting, or planning to move to Nashville has become burdened by the time wasting, frustrating, 4-hour rush hour that is seemingly inescapable. I’m no stranger to the woes of metropolitan areas, the growing pains of urban development, and the high concentration of oversized... »

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  • Talking Technique: Octaves on Overdrive

    Talking Technique: Octaves on Overdrive

    Today we’re going to go over a few tips on how to spice up a groove using octaves. Of course, we’ll focus on good fingering practices to make the notes sound smooth and connected. You can use this technique when practicing rudiments and scales, but check out this PDF to work up an example using... »

  • Talking Technique: Changing Technique Habits – What it Takes

    Talking Technique: Changing Technique Habits – What it Takes

    There is a step by step process that can help you change ingrained habits. It is a fast and effective technique to practice just about anything so effectively that it can become addictive. But it is also a great catalyst for changing ingrained habits. That is good news, because if you have ever tried to... »

  • Talking Technique: Drills for Fills – Applied

    Talking Technique: Drills for Fills – Applied

    In episode 22, we introduced a way of practicing scales that uses intervals rather than going up and down the scales themselves. We went over thirds, which gives you great materials for runs, fills, and solos. Someone asked in the comments if I could give some examples of how to use the material in a... »

  • Talking Technique: The Pistol Grip

    Talking Technique: The Pistol Grip

    If you’ve been following this column for a while, you know we place a lot of emphasis on the details of good technique, including the left hand. Sometimes, though, we go to see our favorite bass players and they have the “pistol grip”. So is it really necessary to use one finger per fret and... »

  • Talking Technique: Drills for Fills

    Talking Technique: Drills for Fills

    Everyone loves a perfectly placed fill. That’s why today we’ll be going over scalar exercises that will help us create those tasty licks while beefing up our technique. In essence, we’re practicing a scale. Typically when you play a scale, you go from root to root in order. But we’re going to break it down... »

  • Talking Technique: Groove Creation Workout

    Talking Technique: Groove Creation Workout

    Want a formula to create grooves over a chord progression? We’ve got you covered in this lesson with an exercise that bolsters our technique while building grooves with triads. We’ll tackle a I-vi-IV-V chord progression using a formula that has two main ingredients: triad notes and rhythm. The triad notes are already laid out for... »