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  • Talking Technique: Talking Double Stops

    Talking Technique: Talking Double Stops

    Looking for ways to spice up your grooves? Double stops are a great option. In their most basic form, double stops are when we play two notes together at the same time. They can sound muddy in some registers of the bass, but we’ll go over some tricks to make them sound like gold. This... »

  • Dealing with Stamina Issues on Bass

    Dealing with Stamina Issues on Bass

    Q: I’ve been playing upright for the past few months, and I’m having some stamina problems in my left hand. Someone said that maybe the neck is too thick. Do you think having the neck thinned out would help with my stamina? Thanks! – Marian A: It’s great to hear you are playing upright bass... »

  • Talking Technique: Two-Octave Triads

    Talking Technique: Two-Octave Triads

    How about some cool two octave triad fills for your grooves? Playing triads over two octaves is surprisingly difficult to do on the bass. Today we’ll cover how to not only master playing those triads over two octaves, but also how to build some cool fills from that tonal material. An important tip ensures that... »

  • Maximizing Resonance with the Bow

    Maximizing Resonance with the Bow

    If you play the bass long enough you’ll hear someone talking about making a “resonant” sound. When we are searching for a resonant sound we are attempting to create an unrestricted sound, one with some “depth,” where the strings and the bass itself both vibrate freely. Obviously, some basses vibrate more easily than others. These... »

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  • Talking Technique: Talking Triads

    Talking Technique: Talking Triads

    Triads are three note chords that serve as the building blocks of functional harmony. As bass players, it’s important for us to recognize triads by ear and to know how to play them starting on each string in all keys and in all registers of the bass. We’ll focus on the major triad in this... »

  • Advanced Bass: Increasing Technical Development

    Advanced Bass: Increasing Technical Development

    Playing with good time, develop sensitive dynamics, produce a solid tone and have the confidence to express interesting musical ideas on your bass is essential. It only makes common sense that developing a deeper bass guitar specific technical understanding and prowess is the essential path as an improvising bass player. In this lesson, we will... »

  • Solving Finger Pain To Continue Practicing

    Solving Finger Pain To Continue Practicing

    Q: As a bass player, having practiced all day until one’s fingernails are aching, what is the solution for a quick pain relief so I can continue to practice the next day, without skipping a day? A: While I can’t imagine what kind of practice makes your fingernails hurt (double thumb workouts?), I do have... »

  • Talking Technique: Beautiful Practice

    Talking Technique: Beautiful Practice

    This lesson is called “Beautiful Practice” for a reason. Our exercise this week creates a lush harmony and texture all while working out our theory and technique at the same time. The theory portion of this week’s lesson is that we’ll be playing diatonic triads in open voicings. If that sounds foreign to you, don’t... »

  • Talking Technique: Modes on a String

    Talking Technique: Modes on a String

    Typically when we play scales, we play across the strings, but there’s a lot of value in playing all the way up a single string. It helps us to think in positions and to mentally know how many steps you are skipping as you walk up the string. Today we’ll be working on our theory... »

  • Talking Technique: Right Hand Thumbs Up!

    Talking Technique: Right Hand Thumbs Up!

    When you’re playing fingerstyle, where do you put your right thumb? You can anchor it on the pickup, but that can limit your tonal range. You could anchor on the lower strings, but then where do you put it when you need to play those strings? That’s precisely the question we got from a reader,... »