Timing Archives

By playing behind or in front of the beat, we’ll experiment with laid out or edgy time feels on a constant tempo. We’ll see how it affects tension and release of the chord changes, how the body expresses it, and how it helps build rhythmic awareness and agility in a band setting.

Q: I hear people talk about playing “behind the beat” of “ahead of the beat”. How can I work on that? A: I call this micro-timing. I think that phrase helps because many students I have tend to overdo it when they play intentionally behind or ahead of the beat. It is a very subtle difference, and you have to...

Q: What are some good exercises or practice routines to develop a strong sense of time? A: When I want to work on time, rhythm or technique, I think “What would a drummer do”? There are any number of ways to develop that internal clock. Here are a few ideas for you: 1. Playing Along. One of the most fun...

Q: I’ve been having some trouble with time. I can keep time and play in time with a metronome or with drummers I know well, but when I play with other drummers who are a little more ahead of me, it’s harder for me to keep time. It happens too when I’m playing Latin music. What do you recommend? A:...

Q: Can you give me some exercises to play with a triplet feel? I’d also love a comparision of how the division is different from a binary feel. A: Simply put: A triplet is kind of like shifting the time where you can fit three notes in the space of two: A half-note triplet is when you fit three half...

Having good “time,” or sense of pulse, is an essential skill for all musicians and bassists in particular. So much of what we do is reliant upon having a solid, steady and accurate pulse. In fact, I find a highly developed sense of time to be as important as a highly developed sense of pitch, perhaps more so. Ideally, of...