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Ask Damian Erskine - Page 10

Ask Damian Erskine is a weekly column featuring reader questions and Damian’s advice on the topic. Have a question for Damian? Send it to [email protected].

Should I Bother With Modes?

Should I Bother With Modes?

Q: First of all thank you very much for your past reply to my question! Lately while working on improvisation and in particular on linear melody through changes, I started asking myself why I should bother with modes. For instance, if there’s a Fmin7 moving to an Amin7 chord and I want to think about those two chords as F...

Should I Study Music Written For Other Instruments?

Should I Study Music Written For Other Instruments?

Q: I was recently talking to a guitar player friend about feeling bored with practicing, and he recommended that I try to incorporate studies from different instruments into my routine. You’ve talked about using drum rudiment books to practice rhythm, and that totally makes sense, but what could I gain from studying a book on piano voicings or guitar stuff...

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Does It Take 10,000 Hours To Master An Instrument?

Does It Take 10,000 Hours To Master An Instrument?

Q: What would you say that it takes for someone to master an instrument? I’ve heard the “10,000 hours” thing but sure not all 10,000 hours are created equal? A: I couldn’t agree more with you that not all hours in the shed are created equally. Time spent with well-considered goals for yourself – practicing with focus and intention –...

Building Your Audience

Building Your Audience

Q: I’ve been struggling with a question, and I’d love to hear your thoughts about it. I’ve been playing in a band for the past two years, mainly in bars and functions. Finally, we are getting some contracts to play in clubs, which is great! However, instead of the annoying sound of loud voices and laughs, we’re getting the haunting...

How to Get Called Back for the Gig (Or Not)

How to Get Called Back for the Gig (Or Not)

So I just came home from a recording session and the conversation I had before I split had me thinking for the entire drive home. We were speaking about a few other bassists that the band had tried to use, and the various issues they encountered. The songwriter chimed in at that point with a story about one of the...

Working Through the Hiccups in a Band

Working Through the Hiccups in a Band

Q: My band and I have started playing out in bars and clubs, and one thing keeps me on edge: No matter how much we prepare and rehearse, there are always hiccups. How do the pros know how to deal with things going wrong (like someone going to the wrong section of the tune, the drummer drops a beat or...

A Drummer’s Perspective on Bass Playing

A Drummer’s Perspective on Bass Playing

For this week’s column, I asked a good friend of mine – Seattle-based drummer Tarik Abouzied – to talk about what he looks for in a bassist, from a drummer’s perspective. I thought he may have some insights as he’s also a pretty phenomenal bassist, in addition to being a complete badass on the drums. Whenever I can’t make one...

What Do I Need To Record Bass At Home?

What Do I Need To Record Bass At Home?

Q: What kind of gear might I need to start recording bass lines from home? I’m thinking of the ability to record for albums remotely but also to get better sound for social media videos and things along those lines. Preferably something that doesn’t cost thousands of dollars! I’m curious what you use, too. A: It sounds like you already...

Making Music Your Career

Making Music Your Career

Q: I have a job which a) takes up a lot of my time and b) doesn’t pay very well. I’ve been thinking about something you’ve mentioned before about when you quit your job and made your music career your job. Do you have any advice on how to manifest that? A: I will preface this by saying that it...

Playing Outside the Harmony

Playing Outside the Harmony

I often get the question about how to play “outside” the changes. There’s no easy answer to this, but I do have several tips to keep in mind. This week I made a video to dig into how to create tension and release by playing outside of the harmony.

How To Structure Limited Practice Time

How To Structure Limited Practice Time

Q: I work a “real job” – as in four 10-hour days a week. I get up at 3:15 am Tuesday through Friday, commute to work, put in my 10 hour day, plus a half-hour for lunch, and by the time I get home from my afternoon commute, it can be as late as 6 pm. I’m usually pretty tired,...

Exploring Pedal Tone Rhythms

Exploring Pedal Tone Rhythms

Q: What kind of rhythms should I play during pedal tones? A: I get asked this more often than one might think. The quick answer is to use whatever rhythm you think compliments what’s happening around you. Of course, I’ll suggest a heavy dose of listening to hear how different players have approached pedal tones in different styles. For those...