Ask Damian Erskine is a weekly column featuring reader questions and Damian’s advice on the topic. Have a question for Damian? Send it to [email protected].
Ask Damian Erskine - Page 30
Butter Strings: A Guide to Finding the Best Bass Strings for You
Q: What’s the best way to smoothen up my playing? I notice that a lot of bass players play like the strings are made of wool. I play a basic 4-string Cort G-series model, but I always get the feeling the strings are way to hard/high to play smoothly, or when I lower them, they make a lousy sound because...
Basses and Skill: Stick to One or Diversify?
Q: Is there any benefit in mastering two (or more) types of basses? I have a 5-string fretted that is my primary instrument, and that’s the one I take out of the “shed.” After finding a great deal on a fretless 4-string at a pawnshop, my thought was this bass would be perfect for playing jazz, and I started studying...
Versatility: A Guide for Bassists
Q: Like a lot of the guys out there on the scene, you make a living playing a wide variety of styles. I have a hard enough time trying to play well in any one style of music. How do you get so comfortable in so many different kinds of musical settings? A: I think that a part of it...
How to Improve Your Phrasing
Q: I’m looking to make my phrasing more dynamic. What would you suggest? A: For this week’s column, I decided to make a little video to answer this question, and demonstrate what I do to work on my phrasing. Check it out:
Building Bass Lines: Navigating More Changes
Q: I have recently begun playing with a pop artist who writes what I would call “chord heavy” songs. These are not your typical I-IV-V tunes, and they definitely aren’t “riffy”; they are tunes with intricate verse and chorus progressions and extended bridges. I have been going off the lead sheets for now, but my question is how can I...
Dealing with Awkward Keys when Transposing on Bass
Q: I’ve been asked to play Billy Ocean’s “When The Going Gets Tough” transposed down to B, which is down in the murky depths of the B string, and I feel it takes away from the bass line. Going up an octave makes it seem thin. Any advice on how I could remedy this issue, not just for this song,...
Wearing a Ring while Playing: A Discussion for Bass Players
Q: I’m getting married soon and thought about how much wearing a wedding ring could affect my playing. I suppose it takes some time to adjust to it anyway, but I’m especially thinking about fret and string noise, or neck scratches. I noticed that you play with a wedding ring yourself and seem pretty comfortable with it, even on wide...
Getting Recognized: Advice for Bassists
Q: How do I brand myself as an internationally recognized bass player? How does one get endorsed to an international brand? A: You’d be surprised by how many times I get this question. It seems that many think there may be a trick or a simple solution to “making it”, “getting discovered” or “scoring an endorsement”. There are a few...
Singing and Playing: A How-To Guide for Independence for Bass Players
Q: I have great vocal chops, which I exercise frequently in my alter ego solo acoustic guitarist thing. I play bass in a blues/R&B band and have the best vocal talent in the band. But I can’t sing over a bass line to save my behind. Can this be learned? Any tips? A: Keep in mind that I am one...
Developing Speed on the Bass: Take Your Time
Q: I have been playing upright for about a year and wanted to know what I can do about developing speed. I mostly play jazz and at the college I go to it seems like everyone wants to play uptempo tunes (Charlie Parker, Rhythm Changes, etc.) I feel as though I’m falling behind trying to stay with the tempo and...
Metronomes: The Debate for Bassists
Q: What do you think about Jeff Berlin’s approach to teaching music, specifically: no metronomes? A: Uh oh… This could mean trouble! Here’s my spin on it: I think different things and methods work for different people. I disagree with Jeff’s statements that metronomes are bad for everyone. I think he has a bit of a habit of speaking in...
Asking For (and Getting) Feedback
Q: As bass players, we often find ourselves in situations where we do a job for others, be it taking the bass chair in a singer’s project, subbing in a band, teaching, giving workshops, etc. I often find it difficult to get appropriate feedback for my job. I like it when people are happy with my work, and I also...