Ask Damian Erskine - Page 8

Q: How does one go about finding a quality luthier for the bass? We all have heard, “I know this guy…” Yet, how do you know if they are “your guy” too? I can do complete basic set-ups on my own instruments: truss adjustments, bridge/saddle adjustments, intonation, and other general maintenance, etc. Yet when I need ding repairs, potential fretwork...

Q: I’ve been a bassist for 14 years now, when I started out (much like everyone, I assume) I played what we know as “bass lines”, the notes that the bassist played on the recording to the song. As I developed and learned more about chord construction and harmony I started to understand how these lines were built. I got...

Q: I read your column for years, but I don’t know if you have answered this already: I have been playing bass for many years and, due to circumstances beyond my control, I cannot find people in my hometown to play (long story, small Greek city). I am taking some jazz theory lessons (via Skype), but I am stuck in...

Q: While I am stoked that I have been asked, I am a wee bit apprehensive. I have been asked to be a substitute bassist for a classic rock cover and original band by the band leader. My current gig is as a bassist in a trio which plays punk and alternative originals. The slight apprehension comes from not knowing...

Q: In your opinion, how does what we work on when practicing make it’s way into our playing? I’ve been thinking about the best ways to incorporate what I shed into my “vocabulary.” A: There are as many ways to incorporate what we practice into our actual musical vocabulary as there are ways to absorb abstract life concepts into our...

Q: My question to you is this: what do you do when you’re not playing with a group and have no gigs on the horizon, particularly what to practice? Without a set of songs or even a style to give the context of what the bass should be playing, I find myself grasping for inspiration on what to practice. Also,...

Q: How do you deal with feeling overwhelmed with everything you want to/feel you should be working on? A: I’ve written a column in the past relating to how to maximize your work flow and time management. I thought that I’d take a bit of a different approach this time, although I would encourage you to read that column as...

Q: I want to record audio/video simultaneously that I can easily post to social media. I’d want the range to go from solo bass pieces or pedal reviews recorded at home to live coffeehouse/house party “warts and all” mono live duo/trio recordings. I’d want to use two cameras for close-ups on the solo pieces/demos and two/three angles of video for...

Q: What should I play at soundcheck? I always feel like I should be impressive or something when the sound tech says “okay, let’s hear the bass,” But maybe just pulsing on the open E string is enough? What’s your soundcheck agenda? A: This is the perfect opportunity for me to: a) make a suggestion as to the best use...

Q: When making music, i.e. improvising, making a song, creating a groove, etc., I find myself sometimes approaching it from what I hear while fiddling around, and at other times approaching it more cerebral, as in “let’s create a groove that has a flat nine in it.” I like to call these the bottom up (let the sounds guide me)...

Q: In the last year or so, I’ve started having issues in my right hand. It seems somewhat random but I’ve had a few gigs we’re my ring and middle finger have completely curled into my hand, and it’s pretty scary. I think it may be Focal Dystonia. I’m wondering if you’ve ever heard about this. Maybe it’s something you...

Q: I know you’ve written a lot about ways to invent new exercises and different ways to find new challenges for yourself, but sometimes I’m not sure what I’m working towards exactly other than just trying to get better. I suppose that’s enough but… any thoughts? A: Actually, yes. The big turning point in my development came with an important...