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  • How to Practice Double Stops (with the Bow)

    How to Practice Double Stops (with the Bow)

    Double stops can present a major challenge for double bassists just being introduced to them, specifically in the arena of intonation. Finger spacing, shifting, and dropping and lifting of multiple fingers are all areas that can trip someone up. Below, using a famous passage from Edouard Nanny’s Concerto attributed to Dragonetti, are a few ways... »

  • Should I Cancel A Gig for a Better Opportunity?

    Should I Cancel A Gig for a Better Opportunity?

    Q: Have you ever been put into a situation where you have booked yourself for a gig in one place (even months in advance) but had a even greater opportunity come calling after? How have you handled bowing out of the prior engagement for a greater one? A: This is a tough but all-too-common quandary... »

  • Bass Players To Know: Sean Hurley

    Bass Players To Know: Sean Hurley

    There’s a lot to be said for bass players who know how to play a song. While it may seem like a simple thing, it takes a mature attitude and a keen ear to do so. Sure, soloing is fun, and many of us want to showcase our slap technique, but exhibiting those skills doesn’t... »

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  • Who is the Best Bassist?

    Who is the Best Bassist?

    So it happened. A reader sent Damian this question: “In your opinion, who is the best bassist?” Damian decided to answer, without it becoming another one of those “Best Bassist”-type columns that cause an uproar. Check out what he has to say on the subject... »

  • Remembering Written Bass Lines

    Remembering Written Bass Lines

    Q: When I learn a song by ear, I can generally memorize it really well, probably because of all the work that’s gone into learning it. My ear is not great and concentrating on actually listening is harder to do than it sounds! I sometimes miss little bits here and there. However, when I read... »

  • The Lightbulb Moment: This Is Why I Practice

    The Lightbulb Moment: This Is Why I Practice

    There’s an old saying that goes: if it were easy, everyone would do it. Playing music isn’t easy. Navigating the fretboard is confusing, playing with a metronome can be tedious, and there’s a never-ending list of songs to learn. Despite all of the work that goes into playing music, most of us love it and... »

  • Making the Time for Practice

    Making the Time for Practice

    Q: It seems like you are a pretty busy guy and travel a lot (I follow your social media feeds). I feel like I’m not half as busy but somehow still can’t seem to find the time to work on stuff like I should. Any tips? A: I got asked a similar question at a... »

  • Moving from Upright to Electric Bass

    Moving from Upright to Electric Bass

    If you are an electric bassist looking to learn upright, getting your double bass skills up to snuff can be daunting. When deciding to become a “switcher,” most of us coming from the electric bass side of things approach the new, bigger instrument with some amount of trepidation. The usual feeling seems to be that... »

  • When Personal Beliefs Conflict with The Gig

    When Personal Beliefs Conflict with The Gig

    Q: I spent this past Saturday marching the streets of Austin, TX with about 50,000 like-minded fellow Americans. Felt great… both humbling and inspiring! The next morning, I was playing my regular church gig – a place with a very different worldview and some decidedly harsh perspectives regarding my fellow marchers. I kept my mouth... »

  • Melodic Minor vs. Diminished Scales Over Dominant Chords

    Melodic Minor vs. Diminished Scales Over Dominant Chords

    Q: You know, jazz theory can be really, really confusing! I know that you can use a melodic minor a half step above a dominant chord as a substitution before resolving to the I-chord to emphasize tension notes (creating an out-sound). But, apparently, you can also use a whole-half diminished scale a half step up... »