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  • The Lightbulb Moment: A Quarter Note For Your Thoughts

    The Lightbulb Moment: A Quarter Note For Your Thoughts

    Here we are, smack dab in the middle of the college admission process — the worst part about being in high school. Clearly, a full day of classes followed by extra-curricular activities and homework isn’t enough to deal with; there are standardized tests to study for, essays to write, schools to visit, interviews to prepare... »

  • Learning Music: To Pursue a College Degree (Or Not)

    Learning Music: To Pursue a College Degree (Or Not)

    Q: What I want to know is this: by not pursuing a higher education in music (music college), what am I missing out on and what is most important to take away from that experience? A: Professionally speaking, a degree in music won’t do anything for you unless you are are shooting for a career... »

  • Reader Question Roundup: Legato Playing, Short Practice Schedules and Playing Complex Music

    Reader Question Roundup: Legato Playing, Short Practice Schedules and Playing Complex Music

    I’m sitting in my hotel room in Lincoln, Nebraska and sifting through my file with all the questions submitted by readers I have yet to answer. Three of them were short enough to put together a “reader question roundup”. I thought this would be a nice change of pace – and one that would allow... »

  • Challenges to Good Intonation in a Live Situation

    Challenges to Good Intonation in a Live Situation

    Good intonation is a lifelong concern for every double bassist. We train our ears, we work constantly to match pitch, and we devote large sections of our individual practice sessions to improving it. Among other things, the sheer size of the instrument demands our constant attention to pitch. Sometimes though, even players who normally have... »

  • Lightbulb Moment: The Power of the Pedal Tone

    Lightbulb Moment: The Power of the Pedal Tone

    It’s January 2nd. A brand new year is on the horizon as I stroll through the airport, leaving my hometown once again after the conclusion of the holidays. The airport isn’t as busy as I had anticipated and thanks to my nervous and obsessive nature, I showed up far too early. Lucky for me, I’ve... »

  • A Discussion on Slap Bass Tone and Technique

    A Discussion on Slap Bass Tone and Technique

    I get a an insurmountable number of emailed questions asking about slap tone and technique. While I have mentioned dozens of times in various columns that I never really explored the slap side of bass, I have fiddled with it enough, in addition to knowing quite a few fantastic slappers. I know how to get... »

  • Thinking In Modes or Scales and Constructing Bass Lines

    Thinking In Modes or Scales and Constructing Bass Lines

    Q: I’ve been trying to learn how to play over the changes, but I’m super confused about one particular aspect: I don’t know I should think of scales. For example when I’m playing over a G dominant chord, should I think G mixolydian or should I think fifth mode of the C major scale? In... »

  • Improving Practice: 4 Pitfalls to Avoid in the Practice Room

    Improving Practice: 4 Pitfalls to Avoid in the Practice Room

    We learn and grow musically from a variety of sources. Teachers, performances, fellow musicians, etc. all play a role in our progress, but our most direct improvement comes from our time in the practice room. That’s why spending time practicing each day is so important. Sometimes, however, even when are putting in time daily, we... »

  • Bass Players to Know: Dee Murray

    Bass Players to Know: Dee Murray

    Every now and then, the car radio takes me by surprise. A station spins just the right song to pique my insatiable curiosity as I sit in traffic, easing the pain of running late by distracting me with a sing-along. An Elton John song is no anomaly when it comes to commercial radio, and for... »

  • Two-Handed Tapping and Developing Hand Independence for Bass Players

    Two-Handed Tapping and Developing Hand Independence for Bass Players

    Q: I have been practicing two-handed taping and can’t get independence between left and right hand. Specifically, I can’t play rhythm patterns with my fretting hand and independently play harmony with the plucking hand. Can you suggest some workout for this kind of problem? A: While I have very limited experience with two-handed tapping, I... »