Columns - Page 39

Q: I have been playing bass for a while now and when I play covers, I usually create my own lines for the song (unless it is an integral part of the song, like “Another One Bites The Dust”). I tend not to worry about learning the original bass line. Lately, I have been thinking that my approach may be...

Q: What is your opinion of the role of bass in both Death Metal and Black Metal? I’m a big fan of both styles and have tried to work out by ear, exactly what the bass is doing, but within these styles, the bass is very seldom heard. In a situation like this, what’s the best way of playing along...

I get lots of questions about my bass and “what’s up with that endpin?” ranks in the top ten. As you know, most endpins come straight out of the bass, at a angle more or less parallel with the back of the instrument, a 90 degrees relation to the bottom of the instrument. When the instrument is standing entirely upright,...

“We can fly!” “You can fly!” “We can fly!!” “Come on, everybody! Here we gooooooo… Off to Neverland!” With just a few happy thoughts and a sprinkle of pixie dust, Peter Pan, Wendy, John and Michael swooped around the nursery, singing, laughing, and soaring with the greatest of ease. It was off to Neverland for an adventure… second star to...

Q: I have been practicing bass on my own for two years while attending college. My goal is to become a working musician and I would like to at least get a gig at a church this year. I’m at a point now where I can hear a piece of music and get pretty close to the right note the...

Q: I’m a fairly busy bass player working with five or six different bands ranging from funk to soul to hip-hop/neo-soul to jazz to disco to metal and a few function bands which encompass just about everything else! For the last four years, I’ve mainly used one sound (neck pickup, flatwound strings) on one bass for everything. But I recently...

Sometimes we need to warmup in a hurry. When I need to warmup in two minutes or less I do exercises like the ones below. Some things to remember when doing these: Start slowly and speed up as you go Keep the fingers light and flexible, don’t press any harder than necessary Don’t’ go any faster than feels easy, slow...

Q: I was curious about your approach to playing jazz without a piano player or guitarist. I lead a secret, soon to be a quintet because our piano player is moving away. I respect the kind of stuff presented by Charlie Haden in his work with Ornette Coleman, but aside from the free really “out there” jazz, I’m at a...

Name any genre of music and certain bass players immediately come to mind. Rock and roll? Paul McCartney. Blues? Willie Dixon. Funk? Larry Graham. They are the ones who stick out as paving the way, defining the roll of the instrument in that particular music, and creating those classic lines that we can’t help but listen to, learn, and hope...

Q: I’ve been playing a certain way or style (as in thump, pop or blues) for as long as I can remember. Today’s bass players tend to play a lot – it seems way busier. What do you recommend for an old school bassist who wants to update to today’s styles so it sticks? A: That is an interesting question...

Keeping the thumb of our left hand flexible is a key component in achieving an agile fingering hand. Ideally, any pressure exerted by the thumb against the neck should be minimal. Below are a few exercises that should help you keep your thumb relaxed and your left hand injury free. 1. Thumb independence Pick a note, pick a finger (perhaps...

Q: I’ve been studying for a while now, and I’ve been practicing my scales and modes as much as possible over changes. I’ve also been working through arpeggios, including the methods you talk about in your Improvisor’s Path book. For example, I’ll work arpeggios through tunes in different inversions and so on. However, when I go to solo freely over...