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  • Solving Bass Hum Problems (Grounding vs. Shielding)

    Solving Bass Hum Problems (Grounding vs. Shielding)

    Q: Why does my bass hum when I touch the strings and play in the rehearsal studio? I use SVT, Digitech multi-effects pedal and a Ibanez Roadstar II with big humbucking pickups. A: There is some confusion out there between what happens when you have a grounding issue vs. when you have a shielding issue.... »

  • Making Theory Work

    Making Theory Work

    Q: I’ve tried to learn music theory many times. I’ve studied it in a classroom setting, private lessons and on my own, but it just doesn’t click with me for some reason. I’m classically trained, so I can read bass music just fine, but when I play anything that relies heavily on memory or improvisation,... »

  • Beginning Jazz Soloing: A Melody First Approach

    Beginning Jazz Soloing: A Melody First Approach

    Some methods of learning jazz improvisation start out from the beginning by asking us to memorize chords, scales, and to play patterns in every key. For those unaccustomed to improvising, or inexperienced in theory, starting out this way can be a daunting task. It can make the learning curve for improvisation seem insurmountable. Some people... »

  • Bass Players to Know: David Hood

    Bass Players to Know: David Hood

    It’s been roughly a year since we featured David Hood in the interview, I’ll Take You There, so it’s about time we highlighted him in this series. Taking an opportunity to revisit his music, I am yet again reminded of his musical sensibilities, refined approach, and unmistakable feel. Known for his session work with the... »

  • Dealing with Different Environments and Bass Tone

    Dealing with Different Environments and Bass Tone

    Q: In 25+ years playing, one problem has plagued and perplexed me the entire time… from one band practice to the next I swear the tone of my bass changes. One day my bass tone sounds like it’s dialed in right where it needs to be the next my strings sound dull or my amp... »

  • Right Hand Endurance for Bass Players

    Right Hand Endurance for Bass Players

    Q: I’d like to ask something about right hand endurance. I’m playing in two metal bands, so some of our songs are rather fast-paced (I play 95% of the time with a pick). When rehearsing, everything seems just okay – no problems. But when playing live, my right tends to get this irregular muscular tension,... »

  • Improving Time and Rhythmic Accuracy

    Improving Time and Rhythmic Accuracy

    As important as playing with good intonation is, it is even more important to play with good time and rhythmic accuracy. Most of us know that counting, subdividing and practicing with a metronome can help. However, there are things we can do beyond these initial steps. Below are a few suggestions, and a few games,... »

  • The Lightbulb Moment: Time For A Change (of Strings)

    The Lightbulb Moment: Time For A Change (of Strings)

    A letter, documenting the moment when you realize that things aren’t what they used to be but that you have the power to amend the situation. This particular moment, and the frequency with which it occurs, is different for everyone. That said, this letter highlights a few subtle signs to help you determine when it’s... »

  • Exploring Vertical Harmony in Bass Playing

    Exploring Vertical Harmony in Bass Playing

    Q: I have never studied an instrument aside from bass. In watching countless guitarists pick up my bass and rip out some cool lines (and the left hand of pianists), I’ve realized that I’ve never really found an effective way to internalize “vertical harmony”, and thus my lines lack coherence as a whole. How do... »

  • Best Strings for Two-Handed Tapping?

    Best Strings for Two-Handed Tapping?

    Q: I’m looking for the brightest sounding flatwound strings I can find. I play a highly modded ’66 Jazz 5-string with Barto pickups and have used round wound strings consistently since 1972… yes, that long. The sizes I always use are 45 65 85 105, and 125. I want to experiment with the two-handed chordal... »