Columns - Page 60

Q: What’s the best way to smoothen up my playing? I notice that a lot of bass players play like the strings are made of wool. I play a basic 4-string Cort G-series model, but I always get the feeling the strings are way to hard/high to play smoothly, or when I lower them, they make a lousy sound because...

As we get over the start of a new year and the holidays seem like a distant memory, we enter a new season with the worst surprise of them all… the flu. With the weather, the “warriors” who insist on coming into the office, travel, and the nights off to hang out with friends at the bar, we’re unusually exposed...

Q: Is there any benefit in mastering two (or more) types of basses? I have a 5-string fretted that is my primary instrument, and that’s the one I take out of the “shed.” After finding a great deal on a fretless 4-string at a pawnshop, my thought was this bass would be perfect for playing jazz, and I started studying...

When playing the bass, flexibility is far more important than strength. In fact, if body mechanics and gravity are used intelligently it takes surprisingly little strength to play our instrument. Flexibility, however, is paramount to many of the things we must do well. In the left hand (or fingering hand for the lefties!) it is especially important. Lack of flexibility...

Just when you think no one is watching… someone comes along and compliments you on your technique. Technique? Really? Of all things… This past weekend, I played a rock ’n roll gig at a smoke-filled, small-town bar with Coors and Miller lights ablaze. A few older gentlemen approached me during a break and asked: “what did you play before bass?”...

Q: Like a lot of the guys out there on the scene, you make a living playing a wide variety of styles. I have a hard enough time trying to play well in any one style of music. How do you get so comfortable in so many different kinds of musical settings? A: I think that a part of it...

Photo Credit: Mika Hiironniemi As bassists, one of our main goals is to make the band groove. The only problem is that the term can be vague. Many young players that begin their quest for the elusive groove are met with descriptions like, “If you have to ask, you’ll never know.” In an effort to share ideas and bring us...

Q: I’m looking to make my phrasing more dynamic. What would you suggest? A: For this week’s column, I decided to make a little video to answer this question, and demonstrate what I do to work on my phrasing. Check it out:

Although it seems most people have given up on the practice of making New Year’s resolutions, some musicians still make music-related resolutions. The most popular ones seem to be along the lines of “practice more,” or worse, “become a better bass player.” While the intent is laudable, it is unlikely that such “resolutions” will have a positive end result. They...

Q: I have recently begun playing with a pop artist who writes what I would call “chord heavy” songs. These are not your typical I-IV-V tunes, and they definitely aren’t “riffy”; they are tunes with intricate verse and chorus progressions and extended bridges. I have been going off the lead sheets for now, but my question is how can I...

Ah ha! You’ve reached the oh-so-exciting section of the music store where the possibilities seem endless and you get giddy just thinking about picking something up and taking it home… No, not the bass wall… the bookshelves! You feast your eyes on the “Teach Yourself Harmonica” manuals, the transcription books of Green Day guitar solos, and, everyone’s favorite, the 100...

Q: I’ve been asked to play Billy Ocean’s “When The Going Gets Tough” transposed down to B, which is down in the murky depths of the B string, and I feel it takes away from the bass line. Going up an octave makes it seem thin. Any advice on how I could remedy this issue, not just for this song,...