Columns - Page 76

Q: I have a hard time remaining interested when I try and practice at home by myself. I have no problem finding inspiration when playing with others, but I quickly get bored and want to stop playing when I’m home alone. Have any tips? A: I think this is a common issue. Many of us are “reactive players”. We need...

I have trouble memorizing. Do you have any suggestions? —–Gina D. In general, if we have played a piece enough times, we often find we have memorized it without trying. However, some pieces (and styles of music) are more difficult to memorize than others and may require special attention. Also, on occasion, we may also find that we don’t have...

So far in the Custom Shop series, we’ve asked luthiers about building custom bass guitars. This time we got the chance to talk to Ben Verellen to look into a perhaps lesser-known market: custom amplifiers. Based in Seattle, Washington, Ben Verellen of Verellen Amplifiers grew up playing bass and eventually decided to go to school for electrical engineering. Through a...

Q: How do you go about making your song arrangements? Do you have a plan from the beginning for the different instruments, or do you let the other musicians fill in the gaps based on their experience/ideas? I imagine that the distance between what you intend to create vs. what you actually create is much larger when other musicians are...

Q: Do you have any advice for those looking to make the leap from a 4 string to a 6 string bass? A: I made the leap directly from a 4 to a 6 string bass, and had the advantage of making the switch while I was attending music school, at Berklee. This is an advantage because you are 1)...

For many people, buying an upright bass is a financial transaction that requires some planning. Nearly everyone wants the highest quality instrument they can afford and, as a result, many spend their last available dollar (or more!) on the instrument itself. This is completely understandable, and laudable. However, if it’s your first upright you should also consider obtaining a few...

Pete Skjold had been playing bass for several years when he realized that to get what he wanted, he would have to design it himself. Eleven years after his first design, he began building full-time under the moniker Skjold Design Guitars, producing around 35 handmade basses annually. A bass enthusiast to the core, we first caught up with Skjold at...

First, thanks to all of you who write in with comments about this column. I get a lot of great feedback from you, and I appreciate it very much. Please keep it coming! This column starts with reader questions, and at the moment, I’ve run out. Here’s where you come in! Send me your questions. They can be strictly about...

“When I play music, I realize that it really filters emotions, I called this album Voice because I believe that people’s real voices are expressed in their emotions. It’s not something that you really say. It’s more something that you have in your heart… Instrumental music is very similar. We don’t have any words or any lyrics to go with...

Q: I know a lot of guys who spend quite a bit of time and money on their gear. In your opinion, how much of a bassist’s sound is contained in the rig that they are using versus the hands and so on? A: I’m glad you asked! I just had this conversation the other night, at different times and...

The Importance of Posture, in Life and Music In this installment, our focus is on posture, and how it – and lack of it – can affect bass playing in particular, and everything else you do in general. Bad habits started when we were young have a way of sticking with us as we get older. In part, that’s because...

Although there are musical situations when we want our left hand fingers to strike the fingerboard forcefully, we most often want to use the minimum amount of pressure, and no more. To do otherwise is generally inefficient, clumsy, noisy and speeds up muscle fatigue, among other things. When it comes to left hand technique, the speed of the finger movement...