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  • Grouping Multiple Notes Into a Single Action/Thought

    Grouping Multiple Notes Into a Single Action/Thought

    When playing at slow speeds we can concentrate on our physical movements for every single note we play. However, this becomes impractical at high rates of speed. When playing at high speed it helps to group notes, and motions, together into a single action. The number of notes we can combine will depend on the... »

  • Understanding Rhythm: Mental and Physical Approaches for Bass Players

    Understanding Rhythm: Mental and Physical Approaches for Bass Players

    Rhythm is both mental and physical. Mental The mental aspect of rhythm is the intellectual understanding of how musical time is organized. For any given piece, passage, or note, this includes things such as: Understanding how many beats are in the measure. How each beat is subdivided. Is it by two, three, five, seven? Perhaps... »

  • Arco Tone on the Bass: Three Main Components

    Arco Tone on the Bass: Three Main Components

    There are a number of things than can adversely affect a bassist’s tone when they are using the bow. For example, failing to move the bow parallel to the bridge will cause impurities in the tone. Too much, or too little, rosin can cause problems. So can worn out bow hair or an improperly tightened... »

  • Playing Bass… Slow

    Playing Bass… Slow

    Every bassist, at some point, wants to learn to play fast. This is a reasonable technical goal to have, of course. Much music demands this sort of technical facility. Furthermore, if we want to be able to truly express ourselves musically, we must have this ability. However, fast playing isn’t everything, in fact it’s only... »

  • Playing Bass… Fast

    Playing Bass… Fast

    At some point most bassists want be able to play “fast.” The question that usually arises is obvious: “How?” The most common barriers to being able play quickly on upright bass are: Poor bass setup Inefficient technique. (Too much tension, etc.) Lack of stamina Lack of familiarity with the passage, tune, line, etc. (Trying to... »

  • Single String Shifting Exercise

    Single String Shifting Exercise

    Single string shifting exercises are great for teaching us the geography of the fingerboard. Not to mention the help they provide in solidifying pitch accuracy and bow control. As a result, variations of the exercise given below have likely been in existence since the first human put first put bow to string. Edouard Nanny has... »

  • Easy Experimentation for Artistic Growth in Improvisation

    Easy Experimentation for Artistic Growth in Improvisation

    Students of improvisation are often looking for the quickest way to learn vast amounts of new material, all while sounding great immediately. Oftentimes this translates into playing a large number of tunes for a few minutes each. In the short term, such practice sessions can be helpful. This is especially true if we need to... »

  • Improving Vibrato Control: A Guide for Bassists

    Improving Vibrato Control: A Guide for Bassists

    If the first step in acquiring control of our vibrato is to obtain a smooth motion that we can turn on or off at will, then the next step is to gain control over the speed and width of the vibrato. Being able to adjust the speed and width of a vibrato is indeed a... »

  • Finger Independence for Bassists: A Preparatory Double Trill Exercise

    Finger Independence for Bassists: A Preparatory Double Trill Exercise

    Complete independence of the left hand fingers is a laudable goal for every serious bassist, guitarist and string player. Below is a short beginning exercise designed to prepare us for playing double trills, (trills on two notes simultaneously). Strictly speaking, there are no double trills in the exercise below. However, it is a necessary step... »

  • Ten Prescriptions for Productive Practice

    Ten Prescriptions for Productive Practice

    Playing is fun, and important, but real progress happens when we practice. In fact, the most significant element in our development is our daily practice regimen. So, how we approach it is vital. To help us get the most out of our sessions, here are ten principles for productive practice: For best results, practice 6... »