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Pedals & Effects - Page 37

Way Huge Electronics Unveils The Pork & Pickle Bass Overdrive And Fuzz Pedal

Way Huge Electronics Unveils The Pork & Pickle Bass Overdrive And Fuzz Pedal

Way Huge Electronics has announced their first bass-specific pedal with the Pork & Pickle Bass Overdrive and Fuzz. Tuned for bass frequencies, the pedal combines their Pork Loin overdrive and Russian-Pickle Fuzz into one box. Players can toggle between the two effects with an OD/Fuzz switch. The pedal has three main controls – Volume, Tone, and Drive – which affect...

Massive Unity Announces the 1964 Preamplifier

Massive Unity Announces the 1964 Preamplifier

Massive Unity debuted the 1964 at the Winter NAMM Show, a preamp powered by T.A.E. technology. Made for both bass and guitar, the unit was designed as a professional alternative to amplifiers as well as a responsive backup to your regular rig. “1964 is a full analog amplifier simulator for line connection that you can use as a highly detailed...

Shin-ei Announces the B1G 1 Gain Booster Pedal

Shin-ei Announces the B1G 1 Gain Booster Pedal

Shin-ei has announced the B1G 1, a gain booster pedal that offers up to 30dB of boost. Useful for bass, guitar, and even vocals, the pedal is described as “totally transparent, non tone-coloring, and non tone-sucking.” “Featuring 100% pure, high fidelity, studio-quality boost, the B1G 1 explodes with power, fattens your tone, and sacrifices nothing in the process,” Shin-ei writes....

Tech 21 and dUg Pinnick Team Up For DP-3X Signature Pedal

Tech 21 and dUg Pinnick Team Up For DP-3X Signature Pedal

dUg Pinnick has a new signature pedal from Tech 21 called the DP-3X that will be debuted at the Winter NAMM Show. The unit is a compact adaptation of his Ultra Bass 1000 head from the company, who says that both pieces of gear recreate the sound Pinnick developed in the ’80s that merges high-end distortion with low-end bass. The...

Crazy Tube Circuits Unveils the Locomotive Tube Bass Overdrive Pedal

Crazy Tube Circuits Unveils the Locomotive Tube Bass Overdrive Pedal

Crazy Tube Circuits is expanding their bass effects line with the Locomotive. Debuting at the Winter NAMM Show, the pedal will offer real tube overdrive to players. “[The Locomotive features] a 12AY7 tube for warm organic tube grind with excellent touch sensitivity and dynamic response,” Crazy Tube writes. “We provided a wide range of gain that can produce from a...

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Electro-Harmonix Releases Their Most Powerful Loop Station with the 95000

Electro-Harmonix Releases Their Most Powerful Loop Station with the 95000

Electro-Harmonix has pushed their looping pedals to the max with the new 95000 Performance Loop Laboratory. Featuring six mono tracks with one stereo mixdown track per loop, the unit can record up to 375 minutes and 100 loops with a 16GB Micro SD card. The 95000 has MIDI capabilities, and the company says nearly every function of the pedal can...

EvenMidi Updates H9 MIDI Controller

EvenMidi Updates H9 MIDI Controller

EvenMidi has updated their H9 MIDI controller with a host of new features. Designed for the Eventide H9 as well as other devices, the unit offers control of up to four devices simultaneously or switching from one to the other. It has nine banks of three presets for a total of 27 presets that can be customized. It works with...

Mattoverse Electronics Announces The TetraStep MkII

Mattoverse Electronics Announces The TetraStep MkII

Mattoverse Electronics has released the TetraStep MkII, an updated version of their four-step square wave sequencer. It has four pitch controllable steps with on/off buttons for each step. Users can adjust the rate, tone, pitch, and volume of each step. The MkII version adds a slew of new features including a Tap Temp footswitch, Sync In and Out functionality, illuminated...

Earthquaker Devices Introduces Westwood Translucent Drive Manipulator

Earthquaker Devices Introduces Westwood Translucent Drive Manipulator

Earthquaker Devices has introduced the Westwood, a pedal they describe as “a mild mannered light-to medium-gain translucent overdrive manipulator.” Its EQ section includes Treble and Bass controls with up to 20 dB of cut/boost while its drive section offers a host of tones. “The Westwood’s Drive control sets the level of gain for a near-clean boost at lower settings, to...

Death By Audio Introduces Absolute Destruction Pedal

Death By Audio Introduces Absolute Destruction Pedal

If you’re looking to blow up your bass sound, Death By Audio has you covered with their new Absolute Destruction pedal. Utilizing a power amplifier IC, the unit offers a distortion as well as what its name implies. “Showing little to no respect for what instruments normally sound like, or even what many people want them to sound like, we...

Electro-Harmonix Reissues the Op-Amp Big Muff Pi Pedal

Electro-Harmonix Reissues the Op-Amp Big Muff Pi Pedal

Electro-Harmonix reached into their past to reissue the Op-Amp Big Muff Pi from the late ’70s. The new pedal is faithful to the original 1978 design with a few new features including a compact, die-cast chassis, and true bypass switching. “The pedal relies on op-amps rather than transistors and three gain stages rather than four, to create its signature sound,”...

Fredric Effects Introduces The BugCrusher

Fredric Effects Introduces The BugCrusher

London’s Fredric Effects has expanded their tonal palette with the BugCrusher, an analog sample rate reducer that produces an aliasing effect. Although its name makes it sound like it is a BitCrusher, Fredric writes that’s not the case. “Despite the name, the BugCrusher is not an actual BitCrusher. Most BitCrusher effects will have sample rate (x-axis quantization) and bit depth...