Pedals & Effects - Page 7

Boss has reimagined the SL-20 Slicer into a more user-friendly pedal format called the SL-2 Slicer. The unit chops sound into unique percussive patterns with output options to create grooves in stereo, the company says.

Aguilar Musical Instruments has unleashed a new distortion/fuzz pedal called the Storm King. Named after Storm King Mountain in the Hudson Valley, the micro pedal draws from the Tone Hammer amp’s drive circuit but is pushed to the limits.

Tech 21 has added a new piece of gear to their Geddy Lee Signature lineup with the YYZ Shape-shifter Signature SansAmp. The pedal has the same feature set as the limited edition Geddy Lee MP40 model, which swiftly sold out.

Acorn Amps has unveiled the ADHD, a pedal they say is a “glitch, filter, bit crushing, octave, square wave guitar synth oscillator disguised as a fuzz pedal.”

Walrus Audio has introduced a new fuzz pedal called the Eons. The pedal has five selectable fuzz textures for delivering “massively thick sounds.”

Orange Amplification has launched three pedals from their archives with the new Retro 1970s Effects Pedals line. The Orange Phaser, Orange Sustain, and Orange Distortion retain their vintage characteristics while being reworked for the present day.

Nu-X has added a new pedal tuner to their product lineup. The Flow Tune features a large, colored LCD screen that takes up most of its compact size.

Darkglass Electronics has unveiled the latest in their pedal lineup with the Microtubes Infinity, which brings all of their Microtubes circuits – the B3K, Vintage, and X – into one unit.

Free The Tone has introduced the Integrated Gate, a noise suppressor pedal that has Noise Reduction and Noise Gate modes.

Walrus Audio has introduced the Mira Optical Compressor, which they say offers “plenty of sustain, attack, and release that can be blended in to taste.” On top of typical compressor controls, it has a push-button high pass filter in the side chain.

Lounsberry Pedals has expanded its lineup with the Mo Bass, a gain staged preamp/overdrive pedal for bass. Designed for Derek “Mo” Moore of Nektar, the unit is described as offering overdrive and a clean bottom with mild natural compression.

Caveman Audio’s BP1 bass preamp has been shrunk down to create the new BP1 Compact. The new pedal offers the same tone as its 1073-inspired predecessor while saving space by paring down on some features.