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  • Creative Bass Lines: Increasing Fingerboard Knowledge – Part 2: Arpeggios, Major 7ths & Beyond!

    Creative Bass Lines: Increasing Fingerboard Knowledge – Part 2: Arpeggios, Major 7ths & Beyond!

    We have not one, but two lessons for you this month! In this lesson, I’ll talk you through major 7th, then 9th, ♯11th and 13th arpeggios, which follows part one (“Triad Visualization”). I am a firm believer in learning these concepts in multiple ways/fingerings – it all goes to increase our overall knowledge of the... »

  • Creative Bass Lines: Increasing Fingerboard Knowledge – Part 1: Triad Visualization

    Creative Bass Lines: Increasing Fingerboard Knowledge – Part 1: Triad Visualization

    This column finds us looking not at bass line creation, but some solid foundation ideas that help to increase knowledge of the fingerboard. We are going to start with some easy stuff and ramp up over the next few installments! The concepts in the video are a good place to start. There’s no transcription, as... »

  • Creative Bass Lines: The Chameleon Variations

    Creative Bass Lines: The Chameleon Variations

    In this lesson, I’ve taken a pretty classic and fairly easy to play bass part from Herbie Hancock’s “Chameleon” and given you a few examples of how to use that as a springboard for creating other bass lines around that core groove. This can be really useful when playing under multiple soloists on the same... »

  • Creative Bass Lines: Funking with the Dorian Mode and the Blues Scale

    Creative Bass Lines: Funking with the Dorian Mode and the Blues Scale

    Welcome back to the third installment of Creative Bass Lines. Before we start, I’d like to take a moment to say a fond farewell to the amazing Victor Bailey who sadly left us way too soon a few days ago. Victor was an enormous influence on me, and his highly melodic yet super funky playing... »

  • Creative Bass Lines: Beat Displacement

    Creative Bass Lines: Beat Displacement

    Here we have the second installment of the Creative Bass Lines, and this month, it’s “Bass Gruv”. For this we’re looking at a Headhunters-esque bass groove I wrote. This would fit the harmony of an E dominant 7th chord, or for a crunchier sound, try setting up a vamp with an E7♯9, too. I wanted... »

  • Creative Bass Lines: Melodic and Rhythmic Lines

    Creative Bass Lines: Melodic and Rhythmic Lines

    For my first column here at No Treble, I thought it might be fun to demonstrate a few actual bass parts I have come up with for projects I have recorded. One of the things I enjoy in the playing of the bassists that have influenced me is the use of interesting melodic and rhythmic... »