Transcriptions - Page 6

Often as bassists, we become so concerned with notes, rhythm, and locking in with our drummer that we forget the other important aspects of groove that can impact the listener equally as much. Articulation contributes greatly to groove and expression and can be employed to create contrast, add texture, and propel a song forward. I chose the example of Scotty...

When David Bowie passed away, I wanted to pay tribute with a solo bass arrangement of one of his songs. I personally consider Bowie one of the greatest artists in the world. He was in fact a great musician, actor, and painter. Among other things, the eclectic nature of his music was characterized by the creation of several different imaginary...

This month’s transcription is a piece I’ve been meaning to get to for a long time: Bobby Vega’s “Gosh”. This piece was originally featured on Bass The World’s YouTube channel last year. Grab the transcription, read the notes below and follow along: Although a master of all techniques, Bobby Vega is probably best known for his plectrum work. Combining impeccable...

“Beastly” is the opening track from Vulfpeck’s first EP Mit Peck. I’ve loved this piece since I first heard it and it’s been on my “transcribe list” for a while now. Fortunately, the isolated bass track cropped a while back, making the task of transcribing it a little easier.

This bass transcription was suggested to me by No Treble founder Corey Brown, serving to remind me of Miki Santamaria’s fantastic solo arrangements of pop songs for bass guitar.

There’s been no shortage of great pieces to choose from for my monthly transcription recently: Cody Wright’s groove with drummer Chaisarary Schenk was a serious contender, as was Simon Fitzpatrick’s cracking solo bass rendition of “Rosanna”. I intend to cover both pieces in future transcription columns, but this month I couldn’t resist scoring out L?rincz Viktor’s “Rock and Roll Bass...

Like many bassists of my generation, I grew up loving the grooves on Michael Jackson’s records. The track we all wanted to be able to play was “Speed Demon” from “Bad,” a hyperactive little number with a bass part that was just too ridiculous to be real. Federico Malaman – one of the bass world’s most inventive players – is one of the few who cracked it, making it perfect for this month’s transcription.

This month’s transcription is “Cowboy from Prague,” a short piece by Polish slap bass wizard Wojtek Pilichowski, recorded at the Aguilar Artist Loft earlier in 2014. Wojtek has made a name for himself in recent years with his hard-hitting and energetic slap technique. True to form, he packs a lot of ideas into this short piece. Wojtek takes influences from...

Victor Wooten’s version of “Overjoyed” is a superb arrangement of Stevie Wonder’s classic song and the subject of this month’s transcription. Good luck with this piece. It’s a tough one to play well but you’ll be pleased with yourself once you have it down.

“Continuum” is one of the most well known songs for bass players, and I’d argue it is one of the greatest tunes on Jaco Pastorius’s self-titled debut album. After listening to this performance of Michael League three times in a row, I decided to transcribe his version.

“Cee-Tee-Eye” is from Marcus Miller’s 2012 album Renaissance, recorded to feature the new band Marcus assembled for the Tutu Revisited tour, which was a celebration of the Miles Davis album from the mid-80’s Miller contributed heavily to. The title for “Cee-Tee-Eye” is a nod to the various albums released on the CTI Records label, which were influential not only to...

Just as I was wondering which piece to select for this month’s transcription, along comes this killer track from super-talented bassist Fernando Lamadrid and drummer Rick Arencibia. This one has it all: harmonic-laden odd-time grooves, funky slap lines, chordal work and several jaw-dropping solos. Perfect! Download the transcription (PDF) and follow along: “Mollete Express” opens with a fingerstyle groove over...