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Columns - Page 98

Reviews

A review of “Palabras Malas” by Many Arms

Wild, loud and at times verging on chaos, this is not music for everyone; but I loved this record. No one else sounds like Many Arms, who follow their own path and clearly make this music because they love it – it is certainly not designed for radio formats. The band names the Mahavishnu Orchestra, Ornette Coleman, Black Flag, Bernard...

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Setting Up Your Bass
Ask Damian Erskine

Setting Up Your Bass

Q: Do you set up your instruments? If so, What do you strive for? A: (This article will also appear in a future issue of Bass Guitar Magazine UK in the midst of many more on the topic from other players) The overall playability of my instrument is everything to me. If I have to fight the feel of my...

Columns, The Lowdown with Dr. D

The Lowdown with Dr. D.: Making the Switch from Electric to Upright (part 3 of 3)

The Left Hand Contrary to what many of us expect when we hop on over from Electric, effective and reliable left hand technique can be one of our more formidable challenges as a switcher. We will be learning a new way to use our left hand on an instrument that seems so similar to one we already know, but is...

Ask Damian Erskine, Columns

Ask Damian Erskine: Practicing in every key?

Q: I seem to see two camps out there. “Learn/understand everything in all 12 keys” and “the symmetry of the neck can not be denied, so embrace the patterns and do not worry about learning it in all 12 keys”. Although I am not against a strong theory base or patterns, is there a middle road or another way of...

Reviews

A review of Vijay Iyer Trio’s “Historicity”

Historicity is an exciting and unique record. The album takes jazz music forward and is destined to be one of the classic piano trio albums, and is firmly within the stream of jazz but innovative and freewheeling as all the best jazz is. Despite its unusual approach it’s a hugely accessible record: vital, rhythmic and engaging. Vijay Iyer refers to...

Columns, Ray's Raving About...

Ray’s raving about… Gary Willis

I would be remiss to get to do a column where the great people at No Treble let me “rave” about anything I want to not write about one of my all time favorite bass players, Gary Willis. Since first hearing Gary with Tribal Tech years ago I was an instant fan. He is a master of groove, melody, soloing...

Ask Damian Erskine, Columns

Ask Damian Erskine: Learning and transcribing

Q: I was listening to one of your YouTube videos and thought I heard similar lines that I’ve heard Jaco play (like a run in “Havona”). Regardless, I would like to tackle some of these parts. Do you just have a great ear or did you start out with charts to learn such fast lines? A: Thanks man! It’s interesting...

Reviews

A review Donovan Stokes’s “Gadaha”

Many things come to mind with the upright bass. I guarantee that Donovan Stokes will prove to you that this instrument is more than what you think it is. Gadaha is an acoustic solo bass album – and it’s awesome. That’s right young travelers, there is an acoustic no-overdub upright bass album that that will drop your jaw both for...

Reviews

Rewind: the most popular features, lessons and videos of the week

In case you missed them, here are the most popular features from last week. Lessons Jon Burr: Melodic Construction: Extensions on Dominant Chords, Part 1 Evan Kepner: The Zen of Ear Training – Part 2 Columns and Features Phil Wain reviews Wayne Krantz – Krantz Carlock Lefebvre Damian Erskine covers Shortcuts in his latest Ask Damian column. Ray Riendeau is...

Columns, Ray's Raving About...

Ray’s raving about… Evan Marien’s “Between Worlds”

One of my current favorite bass players to hit the scene is Evan Marien. Voted one of 2009’s “Most Exciting Players” in July issue of Bass Player magazine, Evan has already accomplished a lot at age 23. A recent graduate of the Berklee College Of Music, Evan has already worked with some amazing musicians such as David Fiuczynski (he is...