Search Results for: chords

In this “Keep It Groovy” bass lesson, and this time around, Ryan Madora is focusing on building your bass groove through the use of octaves and palm muting.

This week in The Brown’stone on No Treble, Rich Brown’s study of triads continues, taking the lessons learned in our last one to create beautiful chords on bass (and use those same shapes to play bass lines).

Tim Fletcher is back with a new bass transcription, and this one also includes an interview and analysis. Check out the transcription (and the story behind it) on Ariane Cap’s “El Soprano Diddle”.

In this lesson, we take a look at a way to build speed and effectiveness in recognizing intervals. We'll also learn to deduce chords and scales by ear through improvisation. Once again, the addition of piano with the right hand is a great way to expand our options from a bass perspective.

This new lesson focuses on using transposition cycles applied to both chord colors and intervallic shapes to offer an alternative to diatonic harmonization.

This Bass & Creativity lesson is the second part about alterations of dominant chords. Today Olivier Babaz takes a look at b9 and #9 added to a 7 chord within a II V I.

One way of applying your tapping skills to either a solo context or with a small ensemble is to create both chordal and bass line accompaniment at the same time. In this new “Tapping Technique” lesson, Josh Cohen covers this topic.

Josh Cohen is back with his second installment in his “Tapping Technique” bass lesson series. In this episode, he shares tips on “Rhythmic Displacement” in an effort to improve playing two or more independent parts at the same time.

In this “Bass & Creativity” lesson, Olivier Babaz dives into the mechanics of modulation within chord changes. You’ll learn how to navigate between tonalities, building harmonic sequences borrowing chords in two different, yet related tonalities.

This is the twelfth (and final) entry of the “Unsung U.S. Bassists” series is here, and this one is just in time for the holidays. Check out Tim Fletcher’s transcription and analysis for the bass line on “Christmas Wrapping” by The Waitresses.

Tim Fletcher’s eleventh entry of the “Unsung U.S. Bassists” series includes his transcription and analysis of Greg T. Walker's bass line on "Highway Song" by Blackfoot.

Tim Fletcher’s tenth entry of the “Unsung U.S. Bassists” series is here. Check out his thorough background, analysis, and transcription of Kasim Sulton's bass line on "You Took the Words Right Out of My Mouth" by Meat Loaf.