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  • Bass Bebop for Beginners: Part 2

    Bass Bebop for Beginners: Part 2

    Here is the second Parker line as promised – you can put it together with the C-7 F7 line from Part 1 and you get a cool turnaround lick: D-7 to G7 leading to C-7 to F7! So that gives you a nice two bar iii vi ii v line in B♭. (And be sure... »

  • Bass Bebop for Beginners: Part 1

    Bass Bebop for Beginners: Part 1

    Today we’re starting with the first part of a new series on bebop bass, a topic a lot of my students are getting into lately. Our goal is to incorporate some great bebop vocabulary on the bass guitar. There is a ton of stuff out there to help you get started. Look for books on... »

  • Serious Play and the Bass Solo

    Serious Play and the Bass Solo

    A good friend of mine came to a gig I had recently in Seattle. Jeremy Sherman lives in San Francisco and our relationship began as one of student and teacher (he would fly to Portland on occasion to take a few lessons from me and hang out for a weekend) and we soon became friends... »

  • Advanced Bass: How to Play Across the Bar Line

    Advanced Bass: How to Play Across the Bar Line

    In this lesson, we’ll take a deep dive inside the world of playing across the bar line. Equally as relevant for both your solo lines and your groove playing, we will cover how to play across the bar line by using “Time Signature Superimposition” that will take your phrasing to a whole new and exciting... »

  • Creative Bass Lines: The Chameleon Variations

    Creative Bass Lines: The Chameleon Variations

    In this lesson, I’ve taken a pretty classic and fairly easy to play bass part from Herbie Hancock’s “Chameleon” and given you a few examples of how to use that as a springboard for creating other bass lines around that core groove. This can be really useful when playing under multiple soloists on the same... »

  • Advanced Bass: How to Use Melodic Quotes in Your Solos

    Advanced Bass: How to Use Melodic Quotes in Your Solos

    The use of melodic quotation is prolific within the genre of jazz and its related modern styles. In this lesson, we’ll cover how to use melodic quotes in your solos and breakdown some of the commonalities used by many great jazz masters. Applying this to two choruses of a B♭ blues progression, we’ll take a... »

  • Soloing When The Band Drops Out

    Soloing When The Band Drops Out

    Q: I’ve been reading through your No Treble columns and had a question pop into my head. I’ve been asked to play more solos recently at a lot of different gigs from jazz to R&B. I find that half (or more) of the time, when it comes to the bass solo, everyone stops playing except... »

  • Turning Exercises into Real Music

    Turning Exercises into Real Music

    Q: I’ve been studying for a while now, and I’ve been practicing my scales and modes as much as possible over changes. I’ve also been working through arpeggios, including the methods you talk about in your Improvisor’s Path book. For example, I’ll work arpeggios through tunes in different inversions and so on. However, when I... »

  • Beginning Jazz Soloing: A Melody First Approach

    Beginning Jazz Soloing: A Melody First Approach

    Some methods of learning jazz improvisation start out from the beginning by asking us to memorize chords, scales, and to play patterns in every key. For those unaccustomed to improvising, or inexperienced in theory, starting out this way can be a daunting task. It can make the learning curve for improvisation seem insurmountable. Some people... »

  • Articulations and Expression: A Bass Video Lesson

    Articulations and Expression: A Bass Video Lesson

    Q: I’m at a point where I’m trying to finally get into soloing, and playing bass as a vocal, expressive instrument. But I’m running into a wall. Any chance you’d be down to do a quick video on articulations? As in, the slick slides you use, the fantastic trills, expressions and so on. And blue... »