This new lesson focuses on using transposition cycles applied to both chord colors and intervallic shapes to offer an alternative to diatonic harmonization.
This Bass & Creativity lesson is the second part about alterations of dominant chords. Today Olivier Babaz takes a look at b9 and #9 added to a 7 chord within a II V I.
In this “Bass & Creativity” lesson, Olivier Babaz takes a deep dive into some alterations of the dominant chord. With the help of piano and on bass, he covers how to get used to the colors and options of b13 and #11 within a II V I progression.
In this “Bass & Creativity” lesson, Olivier Babaz dives into the mechanics of modulation within chord changes. You’ll learn how to navigate between tonalities, building harmonic sequences borrowing chords in two different, yet related tonalities.
The ii-V-I is one of the most common chord progressions in music. As bassists, we have a horizontal view of the harmonic movement. Today we’ll see how other instruments view the progression and implement voice leading to build interesting lines.
Olivier Babaz is back with his second entry in his “Bass & Creativity” lesson series. In this video lesson, he’s focusing on exploring the sounds, colors, and options through improvisation within the Dorian mode.
In this video lesson, we'll practice and explore the harmonic possibilities of combining bass playing with one or two top notes. Follow along with the video and topic outline.