The best way to engage listeners is to craft a story with your music. In this “Bass & Creativity” lesson, Olivier Babaz takes a look at ideas and methods to build a story through your improvised solos and compositions.
Today we will explore simple ways to discretely modify the harmony while maintaining the bass movement. Once again, experimenting with the piano will help underline those modifications, but we will also cover ways to express it on the bass.
In this lesson, Olivier Babaz discusses some key elements on how to structure an improvisation in order to transform it into a full-grown composition.
In this “Bass & Creativity” lesson, Olivier Babaz focuses on the beautiful colors made through suspended voicings. He walks through the basics of sus4 & sus2 chords and their most common use.
For this lesson, we'll be looking into some alternate Lydian colors. We will take a look at the colors and applications of the Augmented Lydian and Dominant Lydian, both as full modes and as temporary colors integrated within more usual chord sequences.
In this lesson, we take a look at a way to build speed and effectiveness in recognizing intervals. We'll also learn to deduce chords and scales by ear through improvisation. Once again, the addition of piano with the right hand is a great way to expand our options from a bass perspective.
This new lesson focuses on using transposition cycles applied to both chord colors and intervallic shapes to offer an alternative to diatonic harmonization.
This Bass & Creativity lesson is the second part about alterations of dominant chords. Today Olivier Babaz takes a look at b9 and #9 added to a 7 chord within a II V I.
In this “Bass & Creativity” lesson, Olivier Babaz takes a deep dive into some alterations of the dominant chord. With the help of piano and on bass, he covers how to get used to the colors and options of b13 and #11 within a II V I progression.
In this “Bass & Creativity” lesson, Olivier Babaz dives into the mechanics of modulation within chord changes. You’ll learn how to navigate between tonalities, building harmonic sequences borrowing chords in two different, yet related tonalities.
The ii-V-I is one of the most common chord progressions in music. As bassists, we have a horizontal view of the harmonic movement. Today we’ll see how other instruments view the progression and implement voice leading to build interesting lines.
Olivier Babaz is back with his second entry in his “Bass & Creativity” lesson series. In this video lesson, he’s focusing on exploring the sounds, colors, and options through improvisation within the Dorian mode.