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Talking Technique:
The Most Important Technique Exercise of All
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Beardly Customs “The Beast”
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Pete O’Neill: “Untitled” Solo Bass Composition
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Evan Marien Publishes “Minor Hexatonic Scales and Melodic Patterns Vol. 2”
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“Opus Insert” Bass Transcription, Remembering Morris “B.B.” Dickerson, New Bass Gear, Books, and More
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Bass of the Week: Beardly Customs “The Beast”
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Genzler Amplification Unveils the Nu Classic Bass Cabinet Series
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Squier Unveils the Affinity Series Jaguar Bass H
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Chris Seldon Guitars Alchemist 534
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Boss Announces TU-05 Clip-On Tuner
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Recording Bass: I’ve Tried It All… Now What?
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Mark Schatz
The Lightbulb Moment
Listening For Movement
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Scale Exercise in Thumb Position
I Wish I Knew That
Makers of the Melody: Part 2 – Soloing
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Bass Lessons
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Transcriptions
Kansas – “Leftoverture”: The Complete Basslines, Part 5
The Brown’stone
The Brown’stone: The Fundamentals of Time & The Metronome – Part 3
The Brown’stone
The Brown’stone: The Fundamentals of Time & The Metronome – Part 2
Talking Style
Bruno Mars vs. Collage
Creative Bass Lines
Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 2
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Episode #76: George Porter, Jr.
Episode #75: Charles Berthoud
Episode #74: David Ellefson
Episode #73: Trevor Dunn
Groove – Episode #72: Scott Devine
New Albums
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Carl Mayotte: Pop de Ville, Vol. 1
Prince: Welcome 2 America
Esperanza Spalding: Triangle
Alberto Rigoni’s “For the Love Of Bass” Features All-Star Bassists
Scott Mulvahill: Surrounded