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Bass Lessons

Bass Transcription: Chris Ethridge’s Bass Line on “Hot Burrito #2” by The Flying Burrito Brothers
Transcriptions

Bass Transcription: Chris Ethridge’s Bass Line on “Hot Burrito #2” by The Flying Burrito Brothers

Tim Fletcher is back with his sixth entry of the “Unsung U.S. Bassists” series. Check out his transcription and analysis for Chris Ethridge’s bass line on “Hot Burrito #2” by The Flying Burrito Brothers.

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Talking Technique: That Riff in “Spain”
Talking Technique

Talking Technique: That Riff in “Spain”

That riff from Chick Corea’s “Spain,” played between the solos and as part of the head, is as catchy as it is tricky. Ari gets frequent requests for help on that section, so she breaks it down, step by step, in this new episode of “Talking Technique”

Bass Transcription: Karl Alvarez’s Bass Line on “I’m The One” by The Descendents
Transcriptions

Bass Transcription: Karl Alvarez’s Bass Line on “I’m The One” by The Descendents

Tim Fletcher’s fifth entry of the “Unsung U.S. Bassists” series is here. Check out Tim’s transcription and analysis of Karl Alvarez’s Bass Line on “I’m The One” by The Descendents.

Talking Technique: Applied Permutations – Chromatic Groove
Talking Technique

Talking Technique: Applied Permutations – Chromatic Groove

Episode 61 of Talking Technique is all about using chromatic approaches to liven up a bass line. Ari also covers how to use different fingerings to come up with these sorts of situations in your playing.

Bass Transcription: Jean Millington’s Bass Line on “Ain’t That Peculiar” by Fanny
Transcriptions

Bass Transcription: Jean Millington’s Bass Line on “Ain’t That Peculiar” by Fanny

Tim Fletcher’s fourth entry of the “Unsung US Bassists” bass transcription series focuses on Jean Millington's Bass Line on “Ain’t That Peculiar” by Fanny.

Talking Technique: Geddy Lee and the Fifth Rule of Power
Talking Technique

Talking Technique: Geddy Lee and the Fifth Rule of Power

In episode #60 of Talking Technique, Ariane Cap breaks down how Geddy Lee uses power chords in Rush’s “Dreamline,” with a quick harmonic run down, tips for fingering, technical execution, and practice.

Bass Transcription: Phil Upchurch’s Bass Line on “Misty” by Donny Hathaway
Transcriptions

Bass Transcription: Phil Upchurch’s Bass Line on “Misty” by Donny Hathaway

Phil Upchurch has played on over two hundred albums, and is highly regarded for his guitar work. He is less well-known as a bass player, but he’s contributed some excellent work as well. Check out Tim Fletcher’s transcription and analysis of Upchurch’s line on Donny Hathaway’s “Misty”

Vertical Soloing: Using Minor Pentatonic on Five Chord Types
Vertical Soloing

Vertical Soloing: Using Minor Pentatonic on Five Chord Types

In this lesson, Lorin Cohen illustrates how to use one minor pentatonic scale over five chord types. In this case, using the B minor pentatonic scale to play over a progression. This illustrates what Lorin calls a “vertical” approach to soloing, where we create lines that move swiftly up and across the fingerboard.

Bass Transcription: Dave Hope’s Bass Line on “Carry on Wayward Son” by Kansas
Transcriptions

Bass Transcription: Dave Hope’s Bass Line on “Carry on Wayward Son” by Kansas

This is the second entry of the Tim Fletcher's “Unsung US Bassists” series, with his transcription and analysis for Dave Hope’s bass line on “Carry on Wayward Son” by Kansas.

Bass Transcription: Doug Haywood’s Bass Line on “Late for the Sky” by Jackson Browne
Transcriptions

Bass Transcription: Doug Haywood’s Bass Line on “Late for the Sky” by Jackson Browne

We’re thrilled to welcome back Tim Fletcher, who is starting a new bass transcription series on the “Unsung US Bassists.” Tim is kicking things off with his transcription and analysis of Doug Haywood’s bass line on “Late for the Sky” by Jackson Browne.