The best way to engage listeners is to craft a story with your music. In this “Bass & Creativity” lesson, Olivier Babaz takes a look at ideas and methods to build a story through your improvised solos and compositions.
In this lesson, Rich Brown takes an in-depth look at the Pentatonic scale. We’ll get familiar with the different Pentatonic shapes created on the fretboard and how you can open up the entire fretboard using these simple shapes.
This week in The Brown’stone on No Treble, Rich Brown’s study of triads continues, taking the lessons learned in our last one to create beautiful chords on bass (and use those same shapes to play bass lines).
In Part 2 of this series, Rich Brown continues the study of triads and inversions. You’ll be sure to gain a deeper understanding of the beautiful melodicism found within these three little notes.
Today we will explore simple ways to discretely modify the harmony while maintaining the bass movement. Once again, experimenting with the piano will help underline those modifications, but we will also cover ways to express it on the bass.
Please help us welcome our newest contributor, Alex Lofoco! Alex’s first entry offers up a great analysis and transcription of Jaco Pastorius's bass solo on Ian Hunter’s “All American Alien Boy”.
Rich Brown is kicking off a new series in his “Brown’stone” lessons, focusing on triads. In this one, Rich shares the different ways to approach the major and minor triads with some straightforward but beautiful exercises.
Rich Brown is very excited about this lesson - the last one in his “Fundamentals of Time & The Metronome” series. In this one, Rich builds on the past lessons to show you how you can develop your own cool, grooving bass lines.
In this lesson, Olivier Babaz discusses some key elements on how to structure an improvisation in order to transform it into a full-grown composition.
It’s fun to talk technique using song samples, blistering licks, and double stops. This episode of Talking Technique is dedicated to a less flashy but incredibly important topic.
Tim Fletcher and Troy Hughes’ epic project “Kansas: Leftoverture – The Complete Basslines” has reached its fifth chapter, featuring Dave Hope’s work on “Opus Insert”.
In this third installment of his Metronome Study Series, Rich Brown covers three-note rhythmic phrases through the 16th note subdivision. This lesson is a fun one!