In Part 2 of this series, Rich Brown continues the study of triads and inversions. You’ll be sure to gain a deeper understanding of the beautiful melodicism found within these three little notes.
Today we will explore simple ways to discretely modify the harmony while maintaining the bass movement. Once again, experimenting with the piano will help underline those modifications, but we will also cover ways to express it on the bass.
Please help us welcome our newest contributor, Alex Lofoco! Alex’s first entry offers up a great analysis and transcription of Jaco Pastorius's bass solo on Ian Hunter’s “All American Alien Boy”.
Rich Brown is kicking off a new series in his “Brown’stone” lessons, focusing on triads. In this one, Rich shares the different ways to approach the major and minor triads with some straightforward but beautiful exercises.
Rich Brown is very excited about this lesson - the last one in his “Fundamentals of Time & The Metronome” series. In this one, Rich builds on the past lessons to show you how you can develop your own cool, grooving bass lines.
In this lesson, Olivier Babaz discusses some key elements on how to structure an improvisation in order to transform it into a full-grown composition.
It’s fun to talk technique using song samples, blistering licks, and double stops. This episode of Talking Technique is dedicated to a less flashy but incredibly important topic.
Tim Fletcher and Troy Hughes’ epic project “Kansas: Leftoverture – The Complete Basslines” has reached its fifth chapter, featuring Dave Hope’s work on “Opus Insert”.
In this third installment of his Metronome Study Series, Rich Brown covers three-note rhythmic phrases through the 16th note subdivision. This lesson is a fun one!
Rich Brown is back with the second installment in his “Brown’stone” lesson series. In this lesson, Rich expands on the Metronome Study Series, taking two-note phrases through the 16th note subdivision in a very simple (but very hip) way.
Triads versus four-note chords – which are harder? Your gut reaction to that question may be that four-note-chords are harder. Ari tackles this topic in this bass lesson.
In my very first lesson, I’ll be taking you through some fundamental exercises dealing with time and groove. We’ll start with the basics of playing with a metronome, and we’ll get into more challenging exercises based on the 16th note subdivision.