In this video, Ari opens up the idea factory again: Octaves, chromaticism, peppered with slides and hammer-ons. These are tools to make your grooves to come alive!
Talking Technique is back! In this lesson, Ariane Cap goes into a variety of gems, from showing you a cool chromatic groove to how to count out a 7/8 as quarter notes.
It’s fun to talk technique using song samples, blistering licks, and double stops. This episode of Talking Technique is dedicated to a less flashy but incredibly important topic.
Triads versus four-note chords – which are harder? Your gut reaction to that question may be that four-note-chords are harder. Ari tackles this topic in this bass lesson.
In this lesson, Ariane Cap focuses on an angular riff that presents quite the string crossing challenge. It will not only shed your technique, but it will also give you creative ideas.
Alannah Myles’ iconic tune “Black Velvet” features a fill that is pretty challenging. Originally played with synth bass, we might be tasked to play that line. Ari covers this (and all the benefits) in this episode of “Talking Technique.”
Three-note-per-string patterns offer a lot of opportunities for lightning-fast licks. In this episode of Talking Technique, Ari shows us how to get started with the idea of them by practicing a scale all across the bass in speed lick fashion.
You probably already know “Steal My Kisses” by Ben Harper, and the excellent bass line by Juan Nelson. In today’s “Talking Technique” lesson, Ari breaks this down with a focus on “Tenths” over I vi IV V pattern.
In this episode, Ari covers another chromatic workout. These chromatic lines are really fun to play, and they’re also a great technique workout for both our right and left hands. Not only that, they’re basically the musical application of permutation exercises.
In this new episode of “Talking Technique,” Ari is giving us the ultimate challenge for our right hand technique. Can you alternate your index and middle fingers throughout this demanding plucking exercise?
Here’s another “Chromatic Acrobatic Phantasy” for you to shed your technique. Chromatic approaches sound exciting and driving. How can you use them in your grooves? Can you pull off the fast version while staying relaxed? Have a go at it, it’s worth it.
That riff from Chick Corea’s “Spain,” played between the solos and as part of the head, is as catchy as it is tricky. Ari gets frequent requests for help on that section, so she breaks it down, step by step, in this new episode of “Talking Technique”