Groove Podcast
Welcome to Groove – The No Treble Podcast. This is an ambitious effort. This will be a fascinating conversation. Our goal at Groove is to build the largest oral history of bass players. Why Groove? Most of the content about the bass revolves around gear, playing techniques, and more technical chatter. For us, bassists are creative artists with stories to tell. They are a force to be reckon with. These are the stories and conversation that we will capture. To create this oral history of why these artists chose the bass, what their creative lives are like, and where inspiration can be found.
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Episodes:
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Groove – Episode #46: Damian Erskine
A fellow No Treble contributor! We’re super excited to bring you this conversation with our own Damian Erskine. He’s not just a regular contributor to No Treble, but he’s been here the longest. Longevity is a theme for this monster of a player. Damian is known for his ability to fit into any musical situation,... »
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Groove – Episode #45: Ian Hill
Judas Priest ruined me. While I had been exposed to a myriad of musical genres over my young life, nothing has impacted me more than the infamous US Festival in 1983. Their “Heavy Metal Day” on Sunday, May 29th featured Quiet Riot, Motley Crue, Ozzy Osbourne, Triumph, Scorpions, Van Halen and the now-legendary Judas Priest.... »
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Groove – Episode #44: Bridget Kearney
Bridget Kearney doesn’t talk much about the electric bass (mostly because that’s not her instrument of choice). The musician and composer is a double bass player that graduated with a dual degree from Tufts University and New England Conservatory of Music. She started playing the bass when she was nine years old and fell madly,... »
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Groove – Episode #43: Marco Mendoza
The first time I saw Marco Mendoza play bass live was with Whitesnake. Whatever you think about Whitesnake’s music (personally, I am a child of the 80s and a lover of that genre), they are a force of hard, heavy and blues power that is not to be reckoned with (if you can get past... »
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Groove – Episode #42: Mai Leisz
She just turned thirty, but she is an old soul. It’s for this reason that she has fit in performing with artists like David Crosby, Joan Baez, Jackson Browne, Seal and others. Mai Leisz (formerly Mai Agan) is a curious and engaging bass player. The Estonian born composer started on classical violin and piano. At... »
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Groove – Episode #41: Evan Marien
Simply put, Evan Marien is a very exciting bass player. The composer, producer and multi-instrumentalist grew up in Illinois, but Brooklyn is now his home. And yes, he’s super active on YouTube and pushing his own projects, but you may not know that Evan was also the last bassist to work with the legendary guitarist,... »
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Groove – Episode #40: Chris Wood
Wikipedia can be funny sometimes. When you look for Chris Wood, he is listed as a “jazz musician” (this happens when there are multiple people with the same name). I wonder if Wood considers himself a jazz musician? Most know him as a founder, experimental player and musician visionary within the band Medeski Martin &... »
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Groove – Episode #39: David Pastorius
What are the odds? What are the odds that you start playing the electric bass, and it’s not because your uncle is Jaco Pastorius? It’s not because David Pastorius never met his uncle. It’s not that the family wasn’t close. All of this strangeness happened because David was not introduced to the instrument by his... »
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Groove – Episode #38: Billy Sheehan
Welcome to our first-ever live recording of Groove – The No Treble Podcast which took place at the NAMM Show in Anaheim (and was recorded in front of a live audience at the NAMM Idea Centre), this past week. Our guest this month can best be described as a living legend. Not only has Billy... »
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Groove – Episode #37: Cody Wright
Candidly, there are few bass players who sound as original as Cody Wright. In fact, when I first heard him play several years back, I was immediately transported back in time. It was the exact same audio sensation that came over me when I first heard Jaco Pastorius and Billy Sheehan play. It was not... »
