This week in The Brown’stone on No Treble, Rich Brown shares the mother of all pentatonic exercises. This one is going to be a workout, but it’ll be well worth it.
This week in The Brown’stone on No Treble, Rich Brown is talking about FONK! That’s right, people. This lesson is an exercise in groovin’ and adding some ‘stank’ to your funk game.
This week in The Brown’stone on No Treble, Rich Brown shows us some of his favorite sequential patterns on major and minor scales. He also teaches us what has always been the best way to learn and internalize these patterns for himself.
This week in The Brown’stone on No Treble, we’re talking about Sequential Scale Patterns. There are so many of these crazy patterns to keep us busy. Rich takes us through two of his favorites.
This week in The Brown'stone on No Treble, Rich Brown is focusing specifically on left-hand technique. He walks you through a couple of great exercises that will help to strengthen the individual fingers of the left hand.
This week in The Brown’stone on No Treble, we’re talking about expression, articulation, and speed. Rich Brown gives us a couple of exercises that involve using hammer-ons and pull-offs.
Rich Brown’s students call this bass lesson a game-changer. This week in The Brown’stone on No Treble, Rich takes a look at some Pentatonic sequential patterns that not only sound great but will also open up your fretboard in a colossal way.
This week in The Brown’stone on No Treble, Rich Brown wants to take another look at triads and inversions. In this lesson, he shows how you can use these three notes to play the II-V-I chord progression in a variety of different ways.
In this lesson, Rich Brown takes an in-depth look at the Pentatonic scale. We’ll get familiar with the different Pentatonic shapes created on the fretboard and how you can open up the entire fretboard using these simple shapes.
This week in The Brown’stone on No Treble, Rich Brown’s study of triads continues, taking the lessons learned in our last one to create beautiful chords on bass (and use those same shapes to play bass lines).
In Part 2 of this series, Rich Brown continues the study of triads and inversions. You’ll be sure to gain a deeper understanding of the beautiful melodicism found within these three little notes.
Rich Brown is kicking off a new series in his “Brown’stone” lessons, focusing on triads. In this one, Rich shares the different ways to approach the major and minor triads with some straightforward but beautiful exercises.