Archive for November 2026

The Fender x Loog Precision Bass marks Loog’s first bass with three strings, a 20.6-inch scale, and learning tools designed to help young players get started.

Hadrien Feraud revisits his composition “Johnny Mac” with a Ken Smith Burner Signature 5 and Markbass rig. The track appears on Christophe Zoogonès’s Zoology.

Rush will play five nights at Sphere in May 2027, with Geddy Lee promising full performances of “2112” and “Moving Pictures” alongside other catalog favorites.

Sterling introduces the Music Man Session StingRay, pairing classic ’90s and 2000s inspiration with roasted maple necks, Schaller tuners, and active electronics.

Hadrien Feraud puts his Mayones Jabba HF Fretless 5 in the spotlight for a full-band performance of “The Other Side,” featuring vocalist Jason Joseph.

What should beginner bassists practice? Ryan Madora shares three essentials for building consistent technique, fretboard confidence, and steady eighth-note timing.

We’re welcoming Anthony Muthurajah to No Treble with a new twice monthly lesson series, Anthony’s Bass Corner (ABC). His first lesson explores voice leading with random triads.

Joe Dart revisits Vulfpeck’s “1612” at the 2026 Montreux Jazz Festival. The three minute performance puts his signature Music Man bass and groove up front.

Warren Haynes brings his Dreams & Songs Symphonic Experience back in spring 2027, with Kevin Scott on bass and orchestras in four cities. See the tour dates.

Michael League’s GroundUP Music Festival returns to Miami Beach March 12–14, 2027, with nightly Snarky Puppy sets, special guests, workshops, and masterclasses.

Marcus King and Eric Krasno take on Bobby Womack’s “Woman’s Got to Have It,” with Eric Vogel holding down the low end on a gorgeous 1964 Fender Jazz Bass.

Michael Shuman co-produces Queens of the Stone Age’s “Perfecth” and revisits his teenage punk bass setup on the new album’s “Where the Goth Girls At?”