the online magazine for bass players

Search Menu
  • Advanced Bass: The Tritone Substitution Matrix

    Advanced Bass: The Tritone Substitution Matrix

    When learning to play your bass, an overkill of theory can often paralyze your results while performing. Many musicians have learned the theory of Tritone Substitution, but when trying to apply this information, they often end up short-changed. In this bass lesson, we’ll cover a simple but direct concept for the immediate application for Tritone... »

  • Ariane Cap Releases Music Theory Book for Bassists

    Ariane Cap Releases Music Theory Book for Bassists

    Bassist, pianist, composer and educator Ariane Cap has decided to make understanding music theory easier to understand for bassists in her book, Music Theory for the Bass Player: A Comprehensive and Hands-on Guide to Playing with More Confidence and Freedom. The theory in the book is designed to be approachable, and can even be used... »

  • Get the latest bass news!

    Subscribe to the No Treble Update

  • Developing a Solo Over Chord Changes

    Developing a Solo Over Chord Changes

    Q: I have a question about improvising. If one browses the internet for learning how to improvise on the bass guitar, one can easily find lots of great tips: learn familiar melodies and expand them, learn solos from other instruments and be inspired by others. I would like to know about how to approach improvising... »

  • Playing Over Long Lasting Chords

    Playing Over Long Lasting Chords

    Q: I’ve been messing around with playing over the changes, but I always stumble upon an issue: chords lasting 2, 4, 8 or even 16 bars! I know there’s a ton of different ways to approach this, but I have problems with approaching chord tones. Things like enclosures, double chromatics, diatonic and chromatic approach notes.... »

  • Making Theory Work

    Making Theory Work

    Q: I’ve tried to learn music theory many times. I’ve studied it in a classroom setting, private lessons and on my own, but it just doesn’t click with me for some reason. I’m classically trained, so I can read bass music just fine, but when I play anything that relies heavily on memory or improvisation,... »

  • Exploring Vertical Harmony in Bass Playing

    Exploring Vertical Harmony in Bass Playing

    Q: I have never studied an instrument aside from bass. In watching countless guitarists pick up my bass and rip out some cool lines (and the left hand of pianists), I’ve realized that I’ve never really found an effective way to internalize “vertical harmony”, and thus my lines lack coherence as a whole. How do... »

  • Breaking Down Harmonic Substitutions: Part 3 – Practice Material

    Breaking Down Harmonic Substitutions: Part 3 – Practice Material

    As a follow up to this series on harmonic substitutions, I thought that I would include a few choice pages from my book, The Improvisor’s Path, related directly to what we’ve been discussing. First, here are the pages that relate to my breakdown of some available scaler substitutions. Next is the Wayne Shorter tune, “Nefertiti”... »

  • Breaking Down Harmonic Substitutions: Part 2

    Breaking Down Harmonic Substitutions: Part 2

    In part 1 of this series, we were experimenting with using substitutions that allowed us to play familiar major and minor scale shapes over various basic chord types. Now, let’s move on to melodic and harmonic minor mode choices. First, let’s make sure that we’re all familiar with these two scales: Harmonic minor = Aeolian... »

  • Breaking Down Harmonic Substitutions: Part 1

    Breaking Down Harmonic Substitutions: Part 1

    Q: What are substitutions and how can I make use of them? A: The first answer is easy: a substitution is using one chord in the place of another. For example: We might assume that a C Major chord symbol (CMaj7 or C∆7) would imply a C major scale: C D E F G A... »

  • Book Review: Damian Erskine’s “The Improvisor’s Path”

    Book Review: Damian Erskine’s “The Improvisor’s Path”

    There comes a time for every bassist where they feel they’re in a rut or have hit a plateau in their playing and creativity. It happens to the best of us. Bassist and No Treble contributor Damian Erskine’s new book The Improvisor’s Path is a surefire way to get yourself back into high gear. While... »