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  • Talking Technique: Feeling Rusty?

    Talking Technique: Feeling Rusty?

    So you haven’t gotten to touch your bass in a while. It happens! We all have those times where we don’t get time with our bass for extended periods. When we get the bass in our hands again, our gut instinct is to get all our fast chops back, but that’s not such a great... »

  • Making Practice Meaningful

    Making Practice Meaningful

    Q: I have a shelf full of instructional books, methods, transcriptions, etc., but I feel like they don’t actually help at all. I just play through things and while I feel like I practiced, I don’t really see how any of that stuff is helping. Any thoughts? A: I know exactly how you feel. It... »

  • When You Can’t Get To It All In Practice Sessions

    When You Can’t Get To It All In Practice Sessions

    One of our No Treble readers has this to say: I understand how to structure my practice, but I’m still having trouble figuring out how to set up practice sessions because I have so much stuff to work on. I’m a bit frustrated. Do you have any suggestions? The first thing I’d suggest is to... »

  • Overcoming Learning Disabilities in Music

    Overcoming Learning Disabilities in Music

    Q: What advice do you have for someone who has problems with playing 16th notes and has learning disability in math? I have goals to play music in my own gigs and play at a couple venues, but I’m doubting whether it’s even possible to play on one’s own. A: I don’t think that a... »

  • Getting Better Intonation on a Fretless Bass

    Getting Better Intonation on a Fretless Bass

    Q: I’ve recently made a switch from fretted to fretless bass, and so far it’s been awesome, but here’s the thing… A couple of the fretted basses I’ve played so far were all 34-inch scale, and the fretless I now play is a 35-inch scale six-string – and it’s unlined. So stretching my fingers that... »

  • Talking Technique: Killer Dead Note Grooves

    Talking Technique: Killer Dead Note Grooves

    Dead notes are percussive effects that can really liven up a groove. There are a variety of ways to create them, including left-hand muting, right-hand percussion, and left-hand percussion. For this lesson we examine how dead notes (and silence) affect the groove. As is often the case, a good way to begin practicing them is... »

  • Practice Slow/Practice Fast

    Practice Slow/Practice Fast

    “Slow practice is fast practice” they say. To be sure, slow practice is a powerful strategy. Used by itself, however, it is incomplete. Ultimately, to perform fast passages well, we will need to have practiced them at full speed. In fact, if we are not careful, solely practicing a passage under tempo can drive us... »

  • Talking Technique: Tetrachord Workout

    Talking Technique: Tetrachord Workout

    Similar to our last lesson, we’re working on exercises designed to shed your scales and build your technique at the same time. This time we’re focusing on tetrachords, which are four-note groups found within scales. You can also turn these exercises into speed training exercises by adding a few beats every time you play, but... »

  • Motivation for Practicing

    Motivation for Practicing

    Q: I have days where I feel like I’m the worst player on the planet, and I have no drive to practice even though I should be. Do you have any tips for practicing/motivation on off-days? A: I’ve written about this in one form or another in past columns. I’ve often recommended finding something (that... »

  • Memorization: Tips for Bass Players

    Memorization: Tips for Bass Players

    I received the following question this week from a concerned double bassist: “How can I keep from having memory slips on stage?” Even experienced performers may have the occasional memory faux pas on stage. However, there are some things we can do to minimize the risk. Be prepared early. The earlier you can play something... »