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  • Musical Goals and Self Evaluation

    Musical Goals and Self Evaluation

    For those of us involved in formal education, the end of the year is a time for evaluation in all our classes, e.g. final exams, papers, presentations etc. When it comes to instrumental study, most students play what is known as a “jury.” This is performance by the student for panel of faculty. The charge... »

  • Improving Troublesome Passages: Five Tips for Bass Players

    Improving Troublesome Passages: Five Tips for Bass Players

    Continuing our series of “Tips” columns, here’s one on breaking down troublesome musical passages. 1. Take it Slow Practicing technically difficult passages at slow tempi is nearly essential for mastery. Learning something at a slow tempo is learning it well. Doing so helps us avoid unconscious errors such as incorrect notes, fingerings, rhythms, errant string... »

  • Getting Back in the Practice Room: Regaining Inspiration

    Getting Back in the Practice Room: Regaining Inspiration

    Everyone who stays at this music thing for a time will likely find themselves lacking in motivation at some point or another. If practicing has become a chore, or if you can’t even bring yourself to pick up the instrument, perhaps some of these strategies might bring some fire back into your musical life. Take... »

  • Starting Back Up on Bass After a Long Break

    Starting Back Up on Bass After a Long Break

    Even those of us who maintain a regular practice routine may find ourselves taking an extended period of time away from our instrument. Vacations, travel, illness, work, incarceration, etc. can keep even the most dedicated musician away from their instrument. With an instrument as physically demanding as the double bass, we would be wise to... »

  • Articulations and Expression: A Bass Video Lesson

    Articulations and Expression: A Bass Video Lesson

    Q: I’m at a point where I’m trying to finally get into soloing, and playing bass as a vocal, expressive instrument. But I’m running into a wall. Any chance you’d be down to do a quick video on articulations? As in, the slick slides you use, the fantastic trills, expressions and so on. And blue... »

  • Learning Modes and Scales: A Study Guide for Bassists

    Learning Modes and Scales: A Study Guide for Bassists

    Q: I hope that you’ll be able to explain this problem. I learned so far that major and minor scales have certain patterns (i.e. minor steps: W,H,W,W,H,W,W). Now, I’ve moved to modes and, for example, the Lydian mode. Does it have the same pattern for minor scale? I found some other patterns on the web,... »

  • Fumbling Fingers: When Common Tasks Take Their Toll on Bassists

    Fumbling Fingers: When Common Tasks Take Their Toll on Bassists

    For some of us, finding the time to playing bass is a luxury. We don’t get many opportunities to sit down and groove, learn our favorite songs, or hit the woodshed to practice technique. Work takes up too many hours in the day and after having to make dinner, spend time with our friends or... »

  • Ten Prescriptions for Productive Practice

    Ten Prescriptions for Productive Practice

    Playing is fun, and important, but real progress happens when we practice. In fact, the most significant element in our development is our daily practice regimen. So, how we approach it is vital. To help us get the most out of our sessions, here are ten principles for productive practice: For best results, practice 6... »

  • Thoughts on Improving Your Technique on Bass

    Thoughts on Improving Your Technique on Bass

    There are voluminous technical exercises designed to make us better instrumentalists. Nearly all have benefit when executed properly. Unfortunately, many people focus solely on the musical result expected (e.g. How fast can I play that trill today?) when doing technical work. However, the best results are gained when we balance our focus between the musical... »

  • Perfecting the Double Thumb Technique

    Perfecting the Double Thumb Technique

    Q: I’m hoping you can help me perfect my double thumb technique. I have a few questions: How can I improve the sound of the upstroke so that it sounds more like a slap as opposed to a ghost note? When I try the technique on the A string I always strum the E string... »