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  • Getting Better Intonation on a Fretless Bass

    Getting Better Intonation on a Fretless Bass

    Q: I’ve recently made a switch from fretted to fretless bass, and so far it’s been awesome, but here’s the thing… A couple of the fretted basses I’ve played so far were all 34-inch scale, and the fretless I now play is a 35-inch scale six-string – and it’s unlined. So stretching my fingers that... »

  • Talking Technique: Killer Dead Note Grooves

    Talking Technique: Killer Dead Note Grooves

    Dead notes are percussive effects that can really liven up a groove. There are a variety of ways to create them, including left-hand muting, right-hand percussion, and left-hand percussion. For this lesson we examine how dead notes (and silence) affect the groove. As is often the case, a good way to begin practicing them is... »

  • Practice Slow/Practice Fast

    Practice Slow/Practice Fast

    “Slow practice is fast practice” they say. To be sure, slow practice is a powerful strategy. Used by itself, however, it is incomplete. Ultimately, to perform fast passages well, we will need to have practiced them at full speed. In fact, if we are not careful, solely practicing a passage under tempo can drive us... »

  • Talking Technique: Tetrachord Workout

    Talking Technique: Tetrachord Workout

    Similar to our last lesson, we’re working on exercises designed to shed your scales and build your technique at the same time. This time we’re focusing on tetrachords, which are four-note groups found within scales. You can also turn these exercises into speed training exercises by adding a few beats every time you play, but... »

  • Motivation for Practicing

    Motivation for Practicing

    Q: I have days where I feel like I’m the worst player on the planet, and I have no drive to practice even though I should be. Do you have any tips for practicing/motivation on off-days? A: I’ve written about this in one form or another in past columns. I’ve often recommended finding something (that... »

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  • Memorization: Tips for Bass Players

    Memorization: Tips for Bass Players

    I received the following question this week from a concerned double bassist: “How can I keep from having memory slips on stage?” Even experienced performers may have the occasional memory faux pas on stage. However, there are some things we can do to minimize the risk. Be prepared early. The earlier you can play something... »

  • Finding Your Voice vs. Conventional Bass Playing

    Finding Your Voice vs. Conventional Bass Playing

    Q: I have really been obsessed with wanting my own unique voice and approach on the bass. Do you think that I’d be doing myself any harm in the long run if I avoid conventional approaches to learning (like scales, changes, learning blues lines, etc…) in an attempt to develop something new? A: That’s an... »

  • How to Change Up Your Practice Routine When You Don’t Feel Like Practicing

    How to Change Up Your Practice Routine When You Don’t Feel Like Practicing

    Q: What does one do about practice when you just don’t feel like playing and can’t get into it? Do you walk away for a few days or force yourself to play? A: Everyone likely has a different approach, but I have a few things that I try to do before throwing in the towel... »

  • Preferred Scale Books for Bass Players

    Preferred Scale Books for Bass Players

    Recently I’ve been getting a lot of people asking for recommendations for “good” scale books for the double bassist. This is an interesting subject, as there so many books out there! Furthermore, whether a scale book is “good” or not often depends not on their content, but rather how they are applied. This is why... »

  • Getting “Unstuck” from the Blues Scale

    Getting “Unstuck” from the Blues Scale

    Q: How do I get myself unstuck from using the blues scale? Whenever I solo in fingerstyle or slap, I can’t help but to be stuck on the blues scale. I want to move on from it. Also, when I’m doing slap, I stick to octaves, but I want to be able to do different... »