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  • A Lesson on Live Looping for Bass

    A Lesson on Live Looping for Bass

    Guest contributor Russ Sargeant shares this live looping lesson with us, on bass using Mobius software and the Behringer FCB1010. Introduction Solo musicians have a new powerful weapon in their arsenal, or rather access to technological advancements on an established idea. Live Looping has been around since the days of the tape delay machine. One... »

  • On walking: Connecting ii-V’s

    Continuing this video lesson series on walking, Jon explores various ways to connect ii-V progressions; arpeggios, chromatic & diatonic approaches from above and below the targets, and changing tones (notes arrayed on either side of the target). Jon is accepting students via Skype video. Email jon@jonburr.com for more information. Be sure to check out Jon’s... »

  • Walking: On and through chord changes

    Here Jon demonstrates walking using chord tones, lead ins, various combinations of these, and “changing tones” – notes above and below the target, zeroing in on it. Be sure to check out Jon’s book, The Untold Secret to Melodic Bass, available as a pdf download or as a Amazon Kindle book. And now in paperback... »

  • Lesson: Right hand technique, metronome, lead-ins

    In this week’s new video lesson, Jon Burr talks about right hand technique for pizzicato upright bass, using a metronome as a meditation (Jon drops the beat), and basic lead-ins from above and below a target. Be sure to check out Jon’s book, The Untold Secret to Melodic Bass, available as a pdf download or... »

  • Lesson: Fundamental technical approaches to bass

    We’re starting a new video lesson series by Jon Burr today. This week’s lesson focuses on fundamental technical approaches: balance, approaching the whole fingerboard, staying clear of the body of the bass, playing by sound and feel rather than visual cues; energy vectors in the hand. Be sure to check out Jon’s book, The Untold... »

  • How To Copyright Your Music

    How To Copyright Your Music

    You work really hard a musician. If you’re at the point of publishing your own original music you need to understand a few things about the music business to protect yourself and your work in the form of copyrights. It is not absolutely necessary to file copyright applications for your work, but there are a... »

  • Oppositional Structures in Melodic Construction: Imaginary Chords

    Oppositional Structures in Melodic Construction: Imaginary Chords

    Bass players need to become familiar with the principles of melodic construction for the creation of bass lines as well as solo lines. One such principle is “oppositionality,” which we’ve talked about in previous columns. Oppositionality is the usage of non-harmonic tones to create tension and release against the underlying harmonic environment, contrasting against specific... »

  • Transcriptions in 6 Steps

    Transcriptions in 6 Steps

    There comes a time in every player’s life where you have to make the next big step in your practice methods: you must do some transcriptions. Suppress your groans, it is not as bad as you think, and it is an immensely useful practice tool. There’s a reason why every player, teacher and book about... »

  • Dynamics and accents: Walking

    Yes, accents are good. Dynamics are good. Good pitch, dynamics, note choice and use of register are the icing on the musical cake; they separate the artist from the journeyman. Today we’re going to look at accents in walking bass. Accents are the bones of propulsion. How do we use them to best effect? What... »

  • Lesson: Pattern Recognition in Jazz Standards

    Believe it or not pattern recognition is extremely important to being a successful jazz player. There are a few common chord progressions that will pop up in many tunes – having an arsenal of lines or phrases for these different pattern sets can save your neck on the bandstand if you don’t know the tune.... »