Bass Cabinets: On Speaker Sizes and Pairing Them Up
Q: I read the blog of a musician explaining that combining bass cabinets based on speaker size makes a big difference in sound. He also said that combining two 410 cabinets is better than combining a 410 with a 115. I was under the impression that a 410 cab combined with a 115 cab was a great combination, and because...
Fitting It All Together: Reading, Listening and Playing Through the Changes
Last week, we wrapped up the series on Breaking Down Harmonic Substitutions. After that, I had a great moment with a student where there was a small distinction made that seemed to have a great impact in the student’s playing. An immediate impact. We were running the Wayne Shorter tune “Juju”, primarily because it has a ton of whole-tone scale...
Breaking Down Harmonic Substitutions: Part 3 – Practice Material
As a follow up to this series on harmonic substitutions, I thought that I would include a few choice pages from my book, The Improvisor’s Path, related directly to what we’ve been discussing. First, here are the pages that relate to my breakdown of some available scaler substitutions. Next is the Wayne Shorter tune, “Nefertiti” with a few scaler options...
Breaking Down Harmonic Substitutions: Part 2
In part 1 of this series, we were experimenting with using substitutions that allowed us to play familiar major and minor scale shapes over various basic chord types. Now, let’s move on to melodic and harmonic minor mode choices. First, let’s make sure that we’re all familiar with these two scales: Harmonic minor = Aeolian (natural minor) with a major...
Breaking Down Harmonic Substitutions: Part 1
Q: What are substitutions and how can I make use of them? A: The first answer is easy: a substitution is using one chord in the place of another. For example: We might assume that a C Major chord symbol (CMaj7 or C?7) would imply a C major scale: C D E F G A B C But what if...
On Musical Expression and Playing Freely
Q: I’ve been wondering about what people really mean when they speak of “music as a language,” and how this applies to improvising. When I take a solo, I feel like I’m just running the same patterns over and over again and never really doing anything different from song to song. What thoughts do you have about this? A: This...
Promoting All of Your Gigs: A Guide for Bass Players
Q: Damian, your Artist Data show announcement for tonight just popped up in my news feed. That made me think about self promotion for bassists (aka sidemen where people rarely come to see us play, but the artist we support). How do we promote ourselves when we are not the main attraction and what platforms (Artist Data, BandMix, Reverb Nation,...
Connecting Written Rhythms to Your Bass Playing
Q: I can read the notes on the staff and I can tell you if it’s a 16th note or a whole note, and yet, I can’t seem to play the rhythm. Any advice on fixing this? A: As I’ve said before, learning to read music fluently takes a lot of practice, just like learning to speak a new language....
Dealing with a Bad Band Leader
Q: Since you have travelled and played with many you might be able to shed some light on this: My band has enjoyed some success in our home country, we have an album released via a label and have played the better venues of our area. We are now on our first tour – a three-piece, and well, to be...
Traveling Abroad with a Bass
Q: Always a great read and insightful subjects, many thanks to you & the No Treble team. I’ve been playing locally so far, but now I’m prepping for my first international trip for music. Travel insurance and gear insurance is my responsibility. I have have a ’74 Precision and a 2012 RW Jazz Bass, and I have a high-end SKB...
Getting Comfortable with Odd Time Signatures
Q: Lately I’ve been finding myself in situations where tunes with odd time signatures are called up on gigs. I’m finding it a challenge to switch gears on the fly and be able to come up with a grooving bass line and not lose the one. How do you handle – and prepare – for these types of situations? A:...
Intonation or Feel? Practicing Scales Purposefully
Q: I was wondering what I need to pay attention to when practicing. It’s easy to learn a scale, or to play chord tones, but what should I really pay attention to hearing more? Should that be a focus on the tones, or the difference in intonation or the “feel” between them? A: The short answer is this: You have...