Latest from Damian:
One of the great things about the “Ask Damian” column is that Damian gets questions from people at all levels, including those just starting out. This week, he dives in to the basics of intervals.
A reader sent Damian one of the most honest questions we've seen, focused on his lack of understanding theory and his desire to change that. Check out what Damian has to say on “Where To Start with Music Theory.”
Stéphane Tuni sent Damian a question about using a keyboard (as a bassist) for ear training. Damian offers up his take - and some tips - in this new “Ask” column.
This week, a reader asks Damian for advice on mastering the three-finger technique. This is something Damian has spent a lot of time on and offers up a great how-to for exploring every possible variation.
Damian recently had a conversation with a student who wasn't feeling inspired musically. Damian asked him what he was listening to, and discovered the problem was a lack of exposure to new ideas and music. So he wrote this week's column in response to that.
This week a reader asks Damian for advice on how to “organize material and approach a solo without sounding scholastic or predictable.” Check out what Damian has to say on the subject.
As of tomorrow, we’ve been publishing for 10 years, and this has always been a topic in the comments. (A little less now, but still a thing.) This week, Damian tackles a question from a reader: “Why Isn’t Solo Bass More Accepted?”
A reader asked Damian for advice on the subject of “microtime” this week. Damian offers advice on learning different time-feels in this column.
A reader asked Damian “How did you come to settle on your voice?” While Damian has written about fostering the development of your “voice” in the past, he’s never covered what your “voice” really is. So that’s what he did in this new column.
For this week’s “Ask” column, Damian decided to do it as more of a PSA - on musicianship, serving the song, and a trend he’s seeing that is sometimes counter to those things. Check out what he calls “Mugging for the Camera on Stage”