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Articles by Damian Erskine - Page 26


Developing Timing and Feel: Rhythmic Studies for Bass Players
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Developing Timing and Feel: Rhythmic Studies for Bass Players

Q: My question is about timing. I realize that the choice of notes make a line hip, but the rhythm and the timing make the groove! How do you practice timing, Damian? A: Truer words have never been spoken! It’s all about the groove and time-feel (fancy words for “pocket”). Here are some goals for developing your timing and groove:...

Adjusting to the Upper Register on a 6-String Bass
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Adjusting to the Upper Register on a 6-String Bass

Q: I have an issue with playing my 6-string bass so I searched the No Treble archives and found that you once wrote tips for making the shift from 4- to 6-string bass. I followed your advice there, but when playing a two octave scale past 12th fret (lets say F-Ionian), beginning on the B string, its hard (for me...

To Audition or Not to Audition
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To Audition or Not to Audition

Q: I’ve applied to audition for a band. My problem is that I’m not actually convinced about their music. The reason that I still want to try it is because they play gigs that are a higher level than mine, plus the fact that they play, because I haven’t been doing much lately. I have never been great at networking,...

When to Play with the Harmony: A Discussion for Bass Players
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When to Play with the Harmony: A Discussion for Bass Players

Q: The (new) guitarist in my band has mentioned a few times that I’m not “holding it down” because I don’t always play the root, and he finds it “detracts from the song.” He is an extremely good musician and I respect his opinion. However the chords in our songs are super vanilla. Our vocalist says she loves the way...

Setting a Path to Session Work
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Setting a Path to Session Work

Q: I have been toying with the idea of starting a session band. I have the right musicians, we are already tight and working on our own stuff, but I have started wondering how one would go about promoting themselves as a session musician. I have been trying to get in with some professional organizations locally, like the local theatre...

Overcoming Tone Loss When Switching from Finger-Style to Slap Bass
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Overcoming Tone Loss When Switching from Finger-Style to Slap Bass

Q: I have a question regarding when switching between finger-style and slap. I set my amp up predominantly for finger-style playing, but when I switch to slap – particularly mid-song – or if I throw in a slap embellishment, the slap gets buried underneath everything else and is barely audible, consequently losing the momentum and presence of the tune/bass part....

Developing Your Musical Ear
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Developing Your Musical Ear

Q: My problem is that I dont have “ears” for music. I’ve always tried and failed, and this is frustrating me. I only play what is written, or what somebody played. I want to play my own bass lines for any song of my choice. I’ve learned scales, modes, appregios… I’m not sure what to try next. A: I know...

Perfecting the Double Thumb Technique
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Perfecting the Double Thumb Technique

Q: I’m hoping you can help me perfect my double thumb technique. I have a few questions: How can I improve the sound of the upstroke so that it sounds more like a slap as opposed to a ghost note? When I try the technique on the A string I always strum the E string on the way up, how...

How To Groove at Jam Sessions
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How To Groove at Jam Sessions

Q: During jam sessions, I normally have a “hit and stick” approach to coming up with grooves. Essentially, there’s a lull between grooves where I end up peddling notes or playing the one. My keyboard player pointed this out and it bothers me. Is this something that I should be worried about? How do I lead a groove during these...

Practicing Without Your Bass: Some Exercises to Keep the Music Going
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Practicing Without Your Bass: Some Exercises to Keep the Music Going

Q: Are there any exercises that you could recommend that can be done when away from the bass? A: You know, I’m surprised that I’ve never written about this before as I do actually have a number of things to recommend when you’re without your bass, to keep the music going. 1. Visualization of the fretboard. If you ever see...

Low Action on a Bass: The Pros & Cons
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Low Action on a Bass: The Pros & Cons

Q: I was at a bass players’ get-together a while back, and I noticed the other cats have their action set really low, and some used ramps like yourself. A lot of high dollar basses too. I thought “this is too low for me”, and I was pulling too hard. My basses feel good to me, and I like a...

Deciding on an Amp: A Discussion for Bass Players
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Deciding on an Amp: A Discussion for Bass Players

Q: Damian, what’s in your rack and why? The last time I had a paying gig, I could just roll in my Acoustic 360, plug in, and play. Now I’m trying to get back in to playing just as a hobby. What do you need for today’s amplification? A: Personally, I’m an Aguilar guy. I have both a Tone Hammer...