Latest from Lorin:
Vertical Soloing: C Minor 11 Arpeggio Exercise
In this lesson, Lorin Cohen shares an arpeggio exercise that develops our “Vertical” approach to the fingerboard and the ability to ascend swiftly up the neck.
Vertical Soloing: Using Minor Pentatonic on Five Chord Types
In this lesson, Lorin Cohen illustrates how to use one minor pentatonic scale over five chord types. In this case, using the B minor pentatonic scale to play over a progression. This illustrates what Lorin calls a “vertical” approach to soloing, where we create lines that move swiftly up and across the fingerboard.
Notes from the Bandstand: The Bass Solo
Bassists abound in NYC. It’s not uncommon to get on the subway to see two other fellow bassists fighting for a spot with their low-end leviathans. And, you can be sure; these bass commuters can do it all – they can groove and solo. My first two columns have been about the former – the primary background responsibilities of the...
Notes From The Bandstand: Supporting the Soloist
As jazz bassists, we know this scenario all too well: after taking their solos, the players in the front line head offstage, only to chat it up with each other until it’s time come back to trade or play the head out. Meanwhile, we’ve been playing non-stop since the downbeat. Frustrating right? Do they realize how much we’ve been playing...
Notes From The Bandstand: Timekeeping
In 2005 I traveled to Zurich for my first gig with an iconic jazz pianist (out of respect for his privacy, he’ll remain nameless). We haven’t rehearsed. We haven’t spoken about what we’re going to play. I’m told we’ll go over everything at the sound check but said pianist never shows up. We have a quick 10-minute talk before hitting...