Improvisation Archives - Page 3

Students of improvisation are often looking for the quickest way to learn vast amounts of new material, all while sounding great immediately. Oftentimes this translates into playing a large number of tunes for a few minutes each. In the short term, such practice sessions can be helpful. This is especially true if we need to learn a great deal of...

Jimmy Haslip has authored an instructional method book for bassists, focusing on the art of improvisation and expanding creative expression in jazz. Modern Improvisation for Bass, published by Alfred Music Publishing, covers a range of topics, including broadening music vocabulary with modes, altered harmony, and chord substitutions, creating walking bass lines, using pedal tones and chordal arpeggios, and expanding soloing...

One way to give more interest to your improvisations is to add enclosure tones to otherwise simple note choices. Enclosure tones are two tones which “enclose” (i.e. one higher, one lower) another note. Generally, but not always, the note which gets “enclosed” is a chord tone. For example, if we begin with the root of a C7 chord: …and precede...

My most recent lessons have focused on the use of the pentatonic scales as it relates to improvising and learning the fretboard (see my lessons on improvising over a minor key progression and breaking down the pentatonic scale for more background). Today we’ll continue this topic with the exploration of improvising over a D minor 7 chord using the pentatonic...

I regularly see students who are unhappy with their walking bass lines. Perhaps they don’t like how their lines lead (or don’t lead) from chord to chord. Perhaps they find themselves falling into predictable patterns over and over again. Perhaps their range is limited. Perhaps they just don’t find their lines satisfying. All of this can occur even when the...

It is not uncommon for students of improvisation to approach their practice without a real plan. They simply start trying to improvise a solo, without really focusing on When, How or What to play, hoping things will simply get better over time. I was certainly guilty of this. It’s one reason I developed my expandable “Tune Treatment” mentioned in an...