Improvisation Archives

In this new “Bass & Creativity” lesson, Olivier Babaz talks about how improvisation is a great tool to practice and expand the use of new musical techniques or ideas. He covers two ideas: ghost notes and modulation with voicings.

In this new “Bass & Creativity” lesson, Olivier Babaz talks about rhythm in improvisation, specifically managing the rhythmic grid with cycles. By changing where we feel the metronome, we can build our inner pulse for more creative ideas.

In today’s “Keep It Groovy” lesson, Ryan Madora focuses on an important element of improvisation: location jumping. The goal is to build a bass theme and identify other locations on the fretboard where we can easily play it.

The best way to engage listeners is to craft a story with your music. In this “Bass & Creativity” lesson, Olivier Babaz takes a look at ideas and methods to build a story through your improvised solos and compositions.

In this lesson, Olivier Babaz discusses some key elements on how to structure an improvisation in order to transform it into a full-grown composition.

In this lesson, we take a look at a way to build speed and effectiveness in recognizing intervals. We'll also learn to deduce chords and scales by ear through improvisation. Once again, the addition of piano with the right hand is a great way to expand our options from a bass perspective.

In this video from the road, I decided to respond to an email requesting some contextual examples of how I might use a few of the “licks and fills” from my book, Right Hand Drive. After a handful of technical difficulties and the majority of my day off spent filming in a hotel room, I present to you… Real world...

Today, we dive into something new – superimposing Major triad pairs derived from Lydian Mode Harmony over a Major 7th chord. The examples on the video are over an F Major 7th chord, and I am using a neat little looper for this. It’s a great practice tool. In the video (and transcription) I take you through the basic major...

“Giant Steps” is well known as a challenging workout for all aspiring jazz musicians to learn. In this lesson, we’ll cover how to superimpose “Coltrane Changes” over the first 4-bars of the Blues with a fingerboard friendly symmetrical pattern that will open doors – both harmonically and stylistically into the world of John Coltrane. Download the transcription for this lesson...

Rhythmic Displacement is a concept based on being able to hear and perform rhythmic patterns starting on different subdivisions of the beat. The new superimposed rhythm creates an interesting illusion with the lines you are playing, which in turn creates tension. This lesson is aimed at giving you usable ideas for improvising walking bass lines using the concept of Rhythmic...

The use of melodic quotation is prolific within the genre of jazz and its related modern styles. In this lesson, we’ll cover how to use melodic quotes in your solos and breakdown some of the commonalities used by many great jazz masters. Applying this to two choruses of a B? blues progression, we’ll take a step-by-step analysis which includes taking...

Q: I have been practicing with some jazz musicians who are more experienced than I am. For the most part, everything is fine, but I’m having trouble keeping up with the more up tempo numbers – walking and especially soloing. I just feel like my brain and fingers can’t keep up with the music. How can I think faster in...