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Advanced Bass: Diminished II V Substitution

Advanced Bass: Diminished II V Substitution

A cool harmonic concept that bebop players have used for years is substituting dominant 7th chords – built in minor 3rds – over the V7 chord of the key. In this lesson, we’ll cover this concept to learn the possibilities of Diminished II V chord substitution over the II V I progression. Follow along with the video, and be sure...

Advanced Bass: The Tritone Substitution Matrix

Advanced Bass: The Tritone Substitution Matrix

When learning to play your bass, an overkill of theory can often paralyze your results while performing. Many musicians have learned the theory of Tritone Substitution, but when trying to apply this information, they often end up short-changed. In this bass lesson, we’ll cover a simple but direct concept for the immediate application for Tritone Substitution based on the presence...

Advanced Bass: Crackin’ the Slonimsky Code

Advanced Bass: Crackin’ the Slonimsky Code

Using concepts derived from classical music, Joe delves into demystifying diminished patterns commonly used by jazz musicians, such as John Coltrane, Pat Martino, Jaco Pastorius and countless others. Follow along with this lesson’s notation (PDF) and video.

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Advanced Bass: Interval Shapes

Advanced Bass: Interval Shapes

In this lesson, we will cover a basic concept for interval shapes to develop your technique, while attuning your ears to hear the root motion of common harmonic progressions in jazz. Follow along with the notation (PDF) and this video: