Search Results for: technique

The minor keys offer a diverse sonic palette for you to use in improvisation. The darker quality of the tonal sequence gives you a cool sound and the minor keys are very versatile over different chord changes. This lesson will focus on some basic applications of minor keys in different scenarios so you can start to use these keys effectively....

Today’s lesson is a preview from Jon Burr’s forthcoming “Physical and Mental Programming for the Improvising Bassist”… In order to gain an understanding of how to practice effectively and efficiently, it is useful to have some understanding of the structure of the brain, mind and nervous system. It is possible to “practice” and not get better-or, even, to get worse,...

Another Look at Melodic Construction in Improvisation What do we play? Where does it come from? How do we make our own melody? The melody of the song or tune The rhythmic structure An alternative positive melodic statement derived from the harmonic or rhythmic environment, or a melody from another song that fits the “changes” The development, embellishment, and ornamentation...

It’s time to focus on the guitar aspect of bass guitar and learn to play chords. Why bother with this technique? First, it will improve your ability to hear the chord structures other band-mates play and give your ear a head-start on making a strong line. Second, you’ll get to learn a lot about what goes on above the root...

This lesson is derived from Jon Burr’s The Untold Secret to Melodic Bass. Be sure to check out the complete method book in downloadable PDF, Kindle Book and the all-new paperback formats. One way of developing rhythm is through the use of accent overlays on the substrate. Overlays can come from the rhythm of the song’s lyric, or some other...

This lesson is derived from Jon Burr’s The Untold Secret to Melodic Bass. Be sure to check out the complete method book in downloadable PDF, Kindle Book and the all-new paperback formats. Last week we talked about “Anchors”. We introduced the idea of “Pivots” as “the primary oppositional tone to the root (or anchor). Here is some more discussion of...

This is the first in a series of three lessons from my new online course Contemporary Techniques For Bass Guitar.  This lesson is an excerpt from my new book/DVD, Tapestry, which is scheduled for release in September. The song illustrated here is called Ebenella and was written by a good friend of mine, Rob Gourlay. These techniques are the same...

We’ve all heard about “chordal scales.” Chordal scales are useful; they contain the chord tones—we really need those!—and a set of neighbor and passing tones that will sound reasonably and reliably good. Chordal scales are emphasized in a lot of teaching methods. Are they the basis of what we need to know as bass players? Do we make our lines...

One of the biggest creeds for bassists is “thou shalt worship thy metronome” (it comes right after “thou shalt be the sexiest member in the band”), and with good reason. Sexiness aside, we are the foundation, both harmonically and metrically, for the rest of the band. We’re the pulse. These exercises will help you get more mileage out of your...