the online magazine for bass players

Search Menu
  • Lesson: Basic Line Construction Types

    Lesson: Basic Line Construction Types

    After doing last week's column, I’ve been thinking more about approaches to creating lines connecting ii and V chords. I’d like to revisit the subject and delve into some basic line construction types. Each particular technique constitutes parts that become interchangeable and apply to a wide range of bass line situations. Throughout these exercises we’ll… »

  • On walking: Connecting ii-V’s

    Continuing this video lesson series on walking, Jon explores various ways to connect ii-V progressions; arpeggios, chromatic & diatonic approaches from above and below the targets, and changing tones (notes arrayed on either side of the target). Jon is accepting students via Skype video. Email jon@jonburr.com for more information. Be sure to check out Jon’s… »

  • Walking: On and through chord changes

    Here Jon demonstrates walking using chord tones, lead ins, various combinations of these, and "changing tones" - notes above and below the target, zeroing in on it. Be sure to check out Jon’s book, The Untold Secret to Melodic Bass, available as a pdf download or as a Amazon Kindle book. And now in paperback… »

  • Lesson: Right hand technique, metronome, lead-ins

    In this week's new video lesson, Jon Burr talks about right hand technique for pizzicato upright bass, using a metronome as a meditation (Jon drops the beat), and basic lead-ins from above and below a target. Be sure to check out Jon’s book, The Untold Secret to Melodic Bass, available as a pdf download or… »

  • Lesson: Fundamental technical approaches to bass

    We're starting a new video lesson series by Jon Burr today. This week's lesson focuses on fundamental technical approaches: balance, approaching the whole fingerboard, staying clear of the body of the bass, playing by sound and feel rather than visual cues; energy vectors in the hand. Be sure to check out Jon's book, The Untold… »

  • Oppositional Structures in Melodic Construction: Imaginary Chords

    Oppositional Structures in Melodic Construction: Imaginary Chords

    Bass players need to become familiar with the principles of melodic construction for the creation of bass lines as well as solo lines. One such principle is “oppositionality,” which we’ve talked about in previous columns. Oppositionality is the usage of non-harmonic tones to create tension and release against the underlying harmonic environment, contrasting against specific… »

  • Lesson: Accents, Dynamics and Balance

    We've probably heard the word "dynamic" used to describe the work of musicians from time to time. It's a compliment. Dynamic equals 'interesting.'Changes in energy and intensity communicate feeling and add contrast to performance, and can add a sense of momentum and "swing." Music without dynamics is dull; it sounds mechanical; without the injection of… »

  • Melodic Line Construction: “Oppositionality”

    When we hear the word “line” in the context of “bass line” or “melody line” we tend to think in terms of scales and/or chord tones as we are learning theory. This is good. There is a further level of thought about lines that has to do with the notes not in the scales or… »

  • Right-hand technique for upright bass: pizzicato

    There is no "one way" to play pizzicato. There are a few principles to bear in mind that are helpful no matter what technique we use. The main idea we need to communicate is that the left hand does most of the work in sound generation. Playing hard with the right hand can be counterproductive,… »

  • Melodic Construction: Extensions on Dominant Chords, Part 2

    This is the second part of the Melodic Construction: Extensions on Dominant Chords series. Click here for Part 1 A fundamental problem with the “chordal scale” approach to improvising is that it tends to produce mechanical-sounding performance; all scale tones tend to be given equal weight as to whether or not they “work.” Frequently we… »